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Right intentions, but rather awful execution. I'll start off by saying I do believe the intentions of the filmmakers were positive. There are undoubtedly minors being exposed to similar themes to that of the film, so it's imperative that people - particularly parents - are made aware of this. With that said, 'Cuties' goes about it in entirely the wrong way. The message, which does become clear at the end, is to stop the exploitation of children - yet here they are doing just that. There are scenes and/or camera angles that simply should not have been filmed and shown. There is no need for certain shots. More should've been left for the viewer to work out, as opposed to shoving it into our faces and therefore practically doing what they are criticising. For example, they could've zoomed away at particular points or got an extreme close up of the characters' eyes when they were doing sexualised things. For what it's worth, I will say I respect the performance of lead Fathia Youssouf (Amy) - I felt a fair amount of emotion from her at certain points. None of the other cast members stick out in my memory, though none produce anything negative. I've spent a long time thinking about how I was going to word my review, much longer than I usually would at least. It's slightly tricky as, as mentioned, I do believe it intended to do the right thing. Unfortunately though, it ends up - in my eyes - doing what it's trying to say is bad. There are some extreme thoughts on this film, not all of which are right in my opinion. However, as said, it isn't a good watch - even if only judging on film merits.
If you have this any higher than a 1/10 you are a criminal & the F.B.I will be coming for you shortly.
Chloé is ten years old. She plays soccer, never cries and doesn't like other girls. One day, Marie, a sweet blond girl, participates for the first time to the games of Chloé and her boy friends. Marie's feminity puts in danger Chloe's self confidence and the whole band...
Lola's dream of escaping her father's Sunnyside motel seems closer to reality when a young stranger checks in.
A vampire follows his instincts to a strip joint where he focuses in on one of the performers. He picks her for his meal because she is contemplating suicide, but he wants to share her life before taking it, and during the course of the evening they discuss their differences, their fears, and their lifestyles. As the moment of truth approaches, the woman becomes less sure that she wants to die.
Joan Jett and Cherie Currie, two rebellious teenagers from Southern California, become the frontwomen for The Runaways - the now-legendary group that paved the way for future generations of female rockers. Under the Svengali-like influence of impresario Kim Fowley, the band becomes a huge success.
16-year-old Mari, raised without a mother by a drunkard father, is put in an orphanage which she immediately, though unsuccessfully, tries to flee from. The sensitive Mari finds it hard to adapt to the coarse manners and brutal games amongst the children. Only gradually does she develop a sense for the similarly difficult fates of her fellow sufferers, who have long forgotten how to cry. She even falls in love for the first time, not with her self-appointed “protector” Tauri, but with the rough-mannered Robi.
In the late 1970s, a French teenage girl is obsessed with the then popular American movie heartthrob John Travolta.
1851, Manitoba's Red River Valley. As winter sets in, a young woman on the edge of madness arrives exhausted at the fort, a wilderness station, claiming she murdered her husband. She's placed in a cell; for the next several months, she sews while the local prefect, Henry Mullen, investigates.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.