Danse avec Le Pen

As a young girl Victoria Arlen truly had the world ahead of her. But at the age of 11, she began to suffer from an illness that baffled her doctors and kept Victoria locked in her own body.

When 18 children – nine from Palestine and nine from Israel – come together to form a kids soccer team, they come face-to-face with the other side for the first time in their lives. United by the common goals of teamwork and dedication to a shared purpose, they confront generations of fear head on. Is peace through sports really possible, or is it hopelessly naive to think that a handful of 12-year-old soccer players can begin to change their world?

Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.

Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.

Putito is a production with no specific genre, where reality and fiction blend through a testimony written by José Carlos Henríquez - a feminist activist and male prostitute who plays himself in the project. Available in a censored and uncensored version.

An experimental exploration and celebration of the Juggalo subculture in Buffalo, New York. Long and static takes of Juggalos engaged in their favorite activities, first and foremost of which - causing mayhem. Among these seemingly random acts of the everyday, preening, sexual gratification, backyard wrestling, explosions and destruction, a tentative narrative begins to emerge.

“My filming for The Suppliant was done in February 2003, while a guest in the Brooklyn Heights apartment of Jacques Dehornois. When I recollect the impulse for this filming, I remember my desire to show a spiritual quality united with the sensual in my view of this small Greek statue. I chose to reveal the figure solely through its blue early morning highlights and in the orange sunlight of late afternoon. After filming the statue, I walked down to the East River and continued to film near the Manhattan Bridge and the electrical works; then I returned to the apartment and filmed a few other details. I set this film material aside, while continuing to film and edit Pitcher of Colored Light, later I took it up twice to edit but could not find my way. Most of the editing was finally done in 2009; then I waited to see whether it was finished and found that it was not. In May 2010, I made several editing changes and created the soundtrack with thoughts of this friend’s recent death.” (RB)

Through a choral diversity of testimonies, the documentary explores the myth of the axolotl, transporting us from the story of a chinampero whose lifestyle reflects the environmental decay of Mexico City, to the efforts of a group of scientists racing against the consequences of the extinction of our symbols and ecological heritage.

Szczurolap is a powerful analogy to the aims of an authoritarian society to destroy dissidents.

Johan van der Keuken's first film is a uniquely beautiful portrait of Paris at dawn.