Of Love, Death, and Beyond: Exploring Mahler's Resurrection Symphony

Known for his mournful "Adagio for Strings," Samuel Barber was never quite fashionable. This acclaimed film is a probing exploration of his music and melancholia. Performance, oral history, musicology, and biography combine to explore the life and music of one of America’s greatest composers. Features Thomas Hampson, Leonard Slatkin, Marin Alsop and many more of the world's leading experts on Barber's music, with tributes from composers Leonard Bernstein, Aaron Copland, Virgil Thomson and William Schuman. The film was broadcast on PBS, and screened at nine film festivals internationally, with three best-of awards. It was named a Recording of the Year 2017 by MusicWeb International.

This film speaks to the uniquely inherent traits that drummers and percussionists possess as natural explorers of music and sound, and how this particular story explores the challenge of translating foreign voices of percussive expression into the dialect of a Western classical orchestra setting. Five accomplished percussionists, Drum, and a rock star composer, Stewart Copeland, come together with the Dallas Symphony Orchestra to create a groundbreaking work.

A story built around the music of Oskar Merikanto, tells the love story of the poor musician Lauri Alanko and the daughter of the rich Grahn family Annina. Annina’s family doesn’t approve of the relationship, and the couple’s happiness is also threatened by Lauri’s worsening eye disease.

Karajan's very best video Beethoven 9th Symphony, recorded December 31, 1977. The Quartet of vocal soloists and Chorus in IV are superb. This is much better than Karajan's 1968 Berlin Philharmonic Beethoven 9 video (DG), filmed in the Philharmonie with no live audience present.

This television essay from 1985 was written by Leonard Bernstein to commemorate the 125th anniversary of Gustav Mahler's birth. Recorded in Israel, Vienna and later in London, it is punctuated by biographical interludes and illustrated by musical examples drawn from the cycle of Mahler's works recorded by Bernstein. Bernstein talks, plays and conducts various orchestras (Israel Philharmonic Orchestra, London Philharmonic Orchestra, Wiener Philharmoniker) and soloists (Janet Baker, Christa Ludwig, Edith Mathis, Lucia Popp, Walton Groenroos) in performances spanning 17 years. Leonard Bernstein also examines the roots of Gustav Mahler's inspiration. The programme also features music from the nine symphonies, 'The Song of the Earth' and the 'Wunderhorn Cycle'.

A section from the life of composer Franz Schubert as a material for a love story. Also known in English as Gently My Songs Entreat. An English version called Unfinished Symphony would follow in 1934.

“It would be hard to find anything greater, more significant or more moving anywhere in musical life today: total harmony of mind and heart, poetry and outcry, fear and consolation, knowing and feeling,” declared the Berne paper ‘Der Bund’ after this stunning performance of Mahler’s ‘Resurrection’ Symphony in August 2003 by the newly founded Lucerne Festival Orchestra. Claudio Abbado had formed this ensemble from famous instrumentalists, celebrated chamber-musicians and experienced soloists from the world’s best orchestras, and the event was sold out months in advance. The ‘Neue Zürcher Zeitung’ reported: “Once again the applause at the end was unequalled; the immense final chord … broke a tension that had lasted over 90 minutes without relaxing for a moment.”

A concert by contemporary instrumental musician, Yanni, recorded live at the Herodes Atticus Theatre in Athens on 25 Sep 1993.

The release of Mahler's Symphonies Nos. 1 + 2 starts the release the complete Mahler cycle with Paavo Jarvi and the Frankfurt Radio Symphony Orchestra on DVD and Blu-ray. Each Symphony will have an introduction by Paavo Jarvi.

Mickey guest-directs a radio orchestra. The sponsor loves the rehearsal, but come the actual performance, Goofy drops all the instruments under an elevator, so they sound like toys. The sponsor hates it, but the audience loves it anyway.