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Homestead 2024 - ()
Piglet 2025 - ()
Dark Match 2024 - ()
Omni Loop 2024 - ()
The Fabulous Four 2024 - ()
Maurice And I 2024 - ()
The Club That George Built 2024 - ()
Heretic 2024 - ()
Wicked 2024 - ()
The Line 2024 - ()
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
The Girl with the Fork 2024 - ()
Black Girls 2024 - ()
Freelance 2024 - ()
Flight Risk 2025 - ()
Dark Night of the Soul 2024 - ()
Juror #2 2024 - ()
The Fish Thief A Great Lakes Mystery 2025 - ()
In Between Stars and Scars Masters of Cinema 2024 - ()
In the summer of 2011, mountaineer Kyle Dempster traveled the back roads of Kyrgyzstan on his bike. His goal: cross the country using old Soviet roads while climbing as many of the region's impressive peaks as possible. He was alone. He carried only a minimal ration of climbing gear. Ten Kyrgyz words complete its vocabulary. Part meditation on the true spirit of adventure and part epic travelogue, The Road from Karakol is the story of a unique spirit who cycled to the end of the road and decided to keep going.
In the Issyk-Kul region of Kyrgyzstan, tradition is king. Polo's still played with a freshly killed goat and the men still marry their women the old-fashioned way: by abducting them off the street and forcing them to be their wife. Bride kidnapping is a supposedly ancient custom that's made a major comeback since the fall of Communism and now accounts for nearly half of all marriages in some parts.
One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.
As „wings of men“ they became the faithful companion of a great nomadic nation thousands of years ago. Today, 28 years after the Soviet occupation, the little horse is an essential part of the cultural heritage and the search for identity of the modern Kyrgyz people. Based on its own story, a so called „good brown horse“ leads through the film and offers an insight of what it could mean to be „todays wings of men“. Told by a horse’s voice and through its eyes, this short film still is a documentary, but also a poetic journey to a nomadic culture.
We get to meet Aslanbek—a teenage shepherd in the mountains of Kyrgyzstan. “Aslanbek” is a story exploring the dynamics of relationship between humans and animals, what we can learn from the mountains, and about dreams. In short, it's a story about our forgotten values.
At the non-places of this world lie the struggles of nobodies, to improve, overcome and survive. Their struggles suffocate them, they forget to live. They dislocate them, bring them together and pull them apart. Father and son share simple dreams and a lifetime on the road. Along an unromantic Silk Route they try to make some come true. Searching for a more livable future they break apart. As working class heroes they accept their fate. The film examines the added value of honesty in our actions.
Life in a Kyrgyz aul (village) in the mountains connected to the rest of the world by a cable bridge, and the teenage boys who are constructing the rope of the bridge. A rope bridge which the locals call “The devil’s bridge” forms part of each and every event which takes place in a small village lost in the mountains of the Kyrgyz Republic. A platform driven by a huge winch which they have to pull with their own strength to cross the torrent is their only link with the outside world. But the director of the documentary wondered something else: “Does this bridge unite or does it actually separate?” Through the mist and over the thrashing waters, the inhabitants of the area glide along their ropes. A film, in the director’s own words, about ordinary people who live in an extraordinary place.
Documentary feature about Kyrgyzstan, the home of the poet Tschingis Aitmatov and his characters, encounters with nomads, Kyrgyz traditions and the impressive scenery.
After living as an immigrant in the USA for 15 years, Azat flies to Kyrgyzstan to his family village. His father, Murat, died in the USA a year ago. It was his dying wish to pay back the money he owed to the villagers. Azat discovers the family home derelict. Choro, the younger brother of Murat, and their relations left a long time ago. Despite most villagers not liking him. One day, Choro, who was imprisoned because of Murat, arrives and the most important question about Murat's will is decided.