Homestead 2024 - Movies (Jan 31st)
Piglet 2025 - Movies (Jan 31st)
Absolution 2024 - Movies (Jan 31st)
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Omni Loop 2024 - Movies (Jan 30th)
The Fabulous Four 2024 - Movies (Jan 30th)
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The Club That George Built 2024 - Movies (Jan 30th)
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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Dexter- Original Sin - (Jan 31st)
Scamanda - (Jan 31st)
Southern Hospitality - (Jan 31st)
Malta- The Jewel of the Mediterranean - (Jan 31st)
Dateline- Unforgettable - (Jan 31st)
Ask This Old House - (Jan 31st)
Impractical Jokers - (Jan 31st)
This Old House - (Jan 31st)
Shoresy - (Jan 31st)
The Rachel Maddow Show - (Jan 31st)
Divided by Design - (Jan 31st)
The Last Word with Lawrence ODonnell - (Jan 31st)
Found - (Jan 31st)
Miss Shachiku and the Little Baby Ghost - (Jan 31st)
Someday at a Place in the Sun - (Jan 31st)
Bargain-Loving Brits in the Sun - (Jan 31st)
Animal Control - (Jan 31st)
Matlock - (Jan 31st)
Law and Order- Special Victims Unit - (Jan 31st)
Going Dutch - (Jan 31st)
The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.
A short educational documentary on early electronic composition and synthesizers.
The stars of Europe's ascendant chip music movement demonstrate the repurposing of old videogame and home computer hardware like Nintendo's GameBoy and NES, Atari's ST, and Commodore's Amiga and C64 into tools by which they have created a new sound, a modern tempo and an innovative musical style.
Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?
‘Tangerine Dream is science fiction!’ declares band leader Edgar Froese who died in January, 2015 aged 70. For almost fifty years he and his band ‘Tangerine Dream’ explored sound and its effect on our emotions. This film about one of Germany’s first electronic bands kicks off with the young Berlin musicians who were as inspired by the space age of the 1960s, with its rocket launchings and visions of the future, as they were by their own heartbeat, on which Froese also based compositions. Aided by the Moog and other synthesisers Froese (and various band members) revolutionised popular music. His explorations took him into the worlds of classical, new and film music. He preferred to visualise moods rather than create clearly structured songs. A blend of amateur footage, interviews with band members, relatives, friends and colleagues such as Jean-Michel Jarre that creates a comprehensive portrait of an artistic pioneer.
Fans forever love Will Smith who are reassured they will always be entertained. Follow the journey of this fascinating actor, producer, husband, father, who has the WILL to win.
The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.
The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.
The place is the notorious Starck Club (so called because it was the first major project designed by Philippe Starck in the US.) The Starck Club opened in Dallas in 1984 and not long after hosted the 1984 national Republican Convention. Ironically, it was actually legal to buy MDMA aka ecstasy there, people would put it on their credit cards. The DEA stepped in and made it a category 1 drug on July 1, 1985... In a time when ecstasy was legal & guyliner was cool.