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“Kill the Roach” is a dance step improvised by a child in front of his father. They find themselves in the heart of old Paris on a square in Montmartre. While the father tries in vain to seduce passers-by with his mime skills, his son, out of compassion, takes his place by dancing with gestures close to break-dancing. The public is won over. Finally, an incident makes them meet a singer who will allow them to perform on stage during an innovative show, mixing mime, singing and break-dancing.
Young Count Georg Wolkersheim is sent to the Congress of Vienna to represent the interests of his country, Reuss-Schleiz-Greiz. Tensions arise between the count, his wife Melanie, and their two chamberlains, and when the four attend a court ball, Melanie leaves Georg, assumes the identity of a famous actress, and attracts the affections of Crown Prince Ludwig of Bavaria.
At the dawn of humanity, one tribe of cave-people survives the many trials of prehistoric life under the wise leadership of Jemilla, The Peacemaker. Jemilla taught her people to express themselves, rather than bashing each others' heads with rocks and eating each others' babies. But one member of the tribe doesn't seem to fit in: Zazzalil. She's always trying to invent things to make life easier… for herself. While out hatching her latest scheme, Zazzalil stumbles upon the most important discovery in history. One that will pit her tribe against wooly mammoths, saber-toothed tigers, and change the world forever. She'll travel from omega to alpha, and become… the Firebringer!
Lili is a typical girl of our time: she's lonely and tries to convince herself that this is what's good for her. But one day, she finds an old package of letters in her parents' apartment, which her mother apparently didn't want to show her at all. Of course, she doesn't hesitate much, she starts reading, and the past comes alive... an unforgettable summer in the early 1990s, when three good friends are on vacation at Lake Balaton, and of them, only Eszter wants to stay faithful to her boyfriend who left her at home, who swallowed a stake. But her plans, which she usually follows with engineering precision, are slightly messed up when she meets Gergo, easygoing, funny and has another very good quality: he plays in a band and performs with his friends on the beach in Szigliget in the evenings.
By the year 2056, an epidemic of organ failures has devastated the planet. The megacorporation GeneCo provides organ transplants on a payment plan - and those who can’t fulfill their plans have their organs repossessed. In the midst of this, a sickly teenager discovers a shocking secret about herself, her father, and their connection to GeneCo.
“TINI: un mechón de pelo” invites you to enjoy an intimate and moving concert offered by multi-platinum singer and songwriter Tini Stoessel at the Hurlingham Club in Buenos Aires, Argentina, on the occasion of the launch of un mechón de pelo, her new album study that marks a before and after in his career. Like a time capsule, it tells the turn that the artist's life took in 2022 due to her father's health. The concert is a memorable musical journey and an extraordinary testimony to TINI's personal, spiritual and emotional healing process.
A live recording of an amended version of the Robin Hood story, staged at the Palaís des congrès de Paris in January 2014.
The fortunes of down-on-his-luck crooner Asfour change overnight when he discovers a mysterious lamp housing a charming genie. She can make anything he wishes come true, so he asks for help in luring his distracted girlfriend from the charms of a rich competitor. But Asfour soon learns he should be careful what to wish for, as he soon realizes his heart may lie elsewhere.
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."