The Shoplifters

Vertical Features Remake is a film by Peter Greenaway. It portrays the work of a fictional Institute of Reclamation and Restoration as they attempt to assemble raw footage taken by ornithologist Tulse Luper into a short film, in accordance with his notes and structuralist film theory. The footage consists mostly of vertical landscape features, such as trees and posts, shot in the English landscape.

Bill struggles to put together his shattered psyche.

Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then caught shoplifting by Mary Woronov and is put on trial, with Tavel as the judge and her five ex-husbands the jury. Hedy remains self-centered and detached throughout, posing and primping and bursting out renditions of "I Feel Pretty" and "Young at Heart."

A short film made with unused footage from The Red Light Bandit and Carnaval na Lama.

The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil. Bans on self-identification - philosophical, existential, sexual, and then permissiveness spawn a monster that is not aware of its true nature and genuine desires. Throughout the film-trilogy, the protagonist goes through a series of temptations that ruin his soul and lead, after all, to a madhouse. In a general sense, the film allegorically shows the tragic path of the Russian lumpen intellectual, lost between the past and the present, not finding the strength to accept and comprehend the unexpected changes that happened in our country twenty years ago. In the global sense - the tragic circle of Russian history.

The producers of this French film took approximately 100 people, put them on a soundstage and had them improvise this film based on the premise that they are on a spaceship escaping from the dictators of earth and only have a few days to live. Improvisation is a dangerous art-form; unprepared amateurs invariably come up with gross caricatures when challenged to improvise. The actors' choices in this film include an allegorical pageant of the life of Jesus, a marriage, an orgy, and some genuinely affectionate moments. Nonetheless, as an experimental effort in large-group improvisation, the film is instructive. - Clarke Fountain, Rovi

Budapest, 19th century: Nosferatu is killed by a prince. Now in colour and on holiday in Brazil, he saps several natives.

Sam, a shy young man, finds himself in a slow-motion world. Trying to restore the time, he fails. The circumstances bring him to rescue his coworkers, and Nathalie, the girl he secretly loves.

Korea, the now: A young man makes a fateful encounter with a stranger he passionately falls in love with. When Unk rides his scooter through the night he fails to notice a drunk pedestrian, a man called Boaz, and hits him. The accident has unforeseen repercussions since shortly afterwards Unk and Boaz start an intense relationship that leads into a gradually worsening dependency.

Big dreams, big blunts, big rims, and big guns. It's time to get gangsta gangsta. Ninja and Yo Landi are wheelchair-bound lovers and real gangstas. They live in the outskirts of civilization, they shoot guns for fun, smoke massive joints, and sleep in the woods. They don't have any bling to show for their gangsta cred, but the world deserves to know who they are. They're tramps, and their wheels are starting to fall off. Ninja become despondent over their vagabond existence, but Yo Landi won't let him give up. What ensues is straight up gangsta mayhem, the realist of the real, true gangsta shit.