El final del día

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.

Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. ​The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.

RESIST; The Unist'oten's Call to the Land is a short documentary that was filmed in the summer of 2013 on unceded Wet'suwet'en territory, 1000 km north of Vancouver in northern BC (western Canada) over the duration of the fourth annual Environmental Action Camp, hosted by the Unist’ot’en (C'ihlts'ehkhyu/Big Frog) Clan. The focus of the film is on the Camp as a year-round resistance to exploitative industry, and what it represents in relation to indigenous sovereignty and the environmental, legal, and social issues surrounding pipeline projects in British Columbia. The film documents one of the most important resistance camps in North America at the time.

A theatrical documentary about Hrytsko Chubai, a genius of Ukrainian poetry, a connoisseur of literature, art and music and the brightest representative of Lviv underground culture of late 60s early 70s.

A film about fireworks, the people who make them and the cultures behind them across the globe.

The documentary reveals the impact of the Coronavirus on one of the indigenous but affected by the disease in the country. Narrated in first person by Divino, which highlights the desperate struggle of his village, Sangradouro, east of Mato Grosso, to survive the most tragic epidemic known by the Xavante nation. Crossed with archival material and images captured during a pandemic, the film seeks to relate a traumatic past with the reality of Covid-19.

Treading new ground in the field of social psychology, Albert Bandura’s work has become basic to an understanding of how social forces influence individuals, small groups and large groups. From his early BoBo doll experiments through his work with phobias, to his recent work on self-efficacy, Bandura has given us a sense of how people actively shape their own lives and those of others. Utilizing archival materials and newly shot visuals, students will be introduced to the vocabulary and innovative methods of this influential thinker. Dr. Bandura’s narration imbues this video with his compelling presentation style and intellectual authority.

Lazy, idle, effeminate, strikers from father to son : French stereotypes are doing well. Anglo-Saxons, very especially fond of these preconceived ideas, take delight in disseminate them accross the world. Political and cultural realms particularly adore it. Concerned about reflecting a positive image abroad, politicians do their best today for their country to regain prestige. Decoding "French Bashing" diplomatic role and consequences.

Educational film about Cyprus - landscape, people, work, traditions etc.

"Mother Tongue" chronicles the first time a documentary film about Guatemalan genocide in Guatemala was translated and dubbed into Maya-Ixil—5.5% of whom were killed during the armed conflict in the 1980s. Told from the perspective of Matilde Terraza, an emerging Ixil leader and the translation project’s coordinator, "Mother Tongue" illuminates the Ixil community’s ongoing work to preserve collective memory.