War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
I had never heard of Kate Nash, the singer, songwriter, actor, and subject of “Underestimate the Girl,” a documentary by filmmaker Amy Goldstein. I’m now a fan. Nash is an irresistibly likeable subject, and she is a huge part of what makes the film so entertaining. This is a great doc that explores what it’s like to be a musician in the modern world. This polished film tells the story of Nash, tackling the entire trajectory of her career. Starting from her first taste of superstardom at age 18 to a decade later when she is nearly homeless, the film offers an intimate look at the challenges, disappointments, failures, highs, and lows of an industry that chews up and spits out the very artists that are its lifeblood. Nash soared to the top of the UK pop charts in 2007 with a platinum record, and struggled with the burdens of her newfound fame. After worldwide tours and international success, the outspoken and trusting musician was defrauded by her manager, dropped by her record label, and forced to take soul crushing odd jobs (like hawking comic book merchandise for an online geek shopping network). After she’s forced to sell off her clothes and move back home, Nash has a revelation and decides to take control of her life and career. Goldstein’s affinity for her subject shines through, and her well structured film takes viewers on an inspirational journey of creative fearlessness. Nash uses her music as a form of self-therapy, an outlet to express life’s frustrations through her art. Her original lyrics reflect her real life, giving a personalized glimpse into an artist who thrives on creativity and receives joy from the act of performing. It’s sad how the people she trusted took advantage of her trust and her talent, and the film addresses the highs and lows of, and the serious problems in, the music industry. As Nash herself says, being in the industry “has almost killed me, but I’m not going to die for the sake of being a f’ing pop star.” It’s a discouraging career choice to be in a business “where the bad guy succeeds most of the time,” but the film hits the high notes when Nash decides to make her fans her record label and crowd fund an album through a Kickstarter campaign. She’s following her heart and making the music she wants on her own terms, taking big steps to turn her life around. During this time, Nash also decided to add acting to her resume and auditioned for the Netflix series “GLOW,” where she’s cast as Rhonda. The music industry is a tough place for women, but Nash’s story ends on a happy note. The teenager who started her career on MySpace has successfully reinvented herself, is speaking out about the need for protection for artists, and is looking towards a bright future. This is a rewarding documentary about a person that you’ll root for from the start, and it’s hard to watch it and not instantly become a fan.
Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band’s favorite band.
The remarkable story of the legendary Motown Records is told through exclusive interviews with the label’s visionary founder, Berry Gordy, and many of its superstar artists and creative figures, as well as rare performances and behind-the-scenes footage unearthed from Motown’s vaults and Gordy’s personal archives.
Get to know the mastermind behind The Beatles’ worldwide domination, from an unknown Liverpool band to uncontested modern musical icons.
In the mid-1990s reports emerged that Prince had fallen into dispute with his record company. Having signed what was ostensibly a new, 100 million dollar contract just a couple of years before, Prince was now demanding - not unreasonably to most commentators - control of his masters and the freedom to release what he wanted when he wanted. After a bitter war of words, during which the star scrawled Slave across his cheek whenever he appeared in public and routinely dissed his label, the parties finally settled and Prince henceforth was free to take full control of his music and the way it was sold to consumers. Prince approached this task with devastating foresight as he routinely created new marketing concepts which, with time, became the norm across the music world.
One of the dominating figures in Elvis Presley's life was his manager, who was known as the "Colonel". No other relationship in Elvis' life was as controversial and misunderstood as the one he had with Colonel Tom Parker. The truth about their unique friendship is revealed in this documentary.
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
Presented by Paul McGann, The Cavern Club and LA Factual have come together to produce "The Cavern Club: The Beat Goes On" - a unique documentary feature, telling the untold, complete and colourful story of the 'greatest club in the world'.
Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.
The record label Death Row Records has, since its creation in 1993, been synonymous with the American hip-hop climate. Formed by ex-bodyguard Suge Knight, the label has released seminal rap albums from luminaries including Dr. Dre, Snoop Doggy Dogg, and the famous hip-hop martyr Tupac Shakur. WELCOME TO DEATH ROW is a fascinating, well-researched documentary which explores the history of this intriguing and incredibly significant company.
The haunting story of music executive Drew Dixon as she grapples with her decision to become one of the first women of color, in the wake of #MeToo, to come forward and publicly accuse hip-hop mogul Russell Simmons of sexual misconduct. A gripping and profound examination of race, gender, intersectionality, and the toll sexual abuse takes on survivors and on society at large.
Imagine waking up tomorrow and all music has disappeared. Just like that. What will remain when it is all gone: CDs, iPods, instruments?