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This is a movie with a clever premise, very likeable lead character and some very funny moments. It's difficult to settle into as the narrative is constantly rewound to encompass different scenarios and, like lifelong mental illness, doesn't leave one feeling everything is fully resolved. Tyler has a mental illness where he vividly imagines negative outcomes to things that are about to happen. This leaves him in isolation and unable to effectively respond to daily occurrences. He works with a therapist to try to become more functional. Since he is attracted to his neighbor, the jogger Shane, his therapist encourages him to planfully try to get to know him.
The unlucky in love writer Bandaged searches for a moral of the story that explains why his romantic experiences never end in "happily ever after." The conflict worsens when... Ops, better not give any spoilers!
Frank, a HIV infected former Lufthansa steward, goes back to Rio from Germany with a film crew to look for Mario, a young man with whom he had a one night stand. Before Mario departed the morning after, he left a message scrawled in soap on the bathroom mirror: 'Welcome to the AIDS club'. Frank and his director hire a fast talking hustler named José (Guilherme di Padua) to help them to find Mario who seems alway to have just left whenever they arrive. Via Appia is the nickname of a Rio district where male prostitutes hang out...
Soichi Haruta is unpopular among women due to his poor social skills. However, he accidentally finds out his middle-aged boss and his room-mate have a crush on him. But they are both men.
Following a strange encounter with a swan found on the streets of London, a girl begins to lose her grip on reality. She is led to a large house where the lines between dreams and memories become indistinguishable, as she struggles with her relationships, her obsession with perfection and her identity. Loosely inspired by the mythology of Leda and The Swan, it looks at the way women cope with trauma, questions the idea of self and takes you on a journey through one woman's psyche.
From a mythical moose encounter to the gender spectrum in "Beauty and the Beast," Mae Martin reflects on a world off its axis in this comedy special.
A young farmer in rural Yorkshire numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker.
The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.
Dawn Davenport progresses from a teenage nightmare hell-bent on getting cha-cha heels for Christmas to a fame monster whose egomaniacal impulses land her in the electric chair.
Socially isolated by his parents, an androgynous teen enrolls in high school and develops a crush on his male teacher.
One apartment, three people, in one long afternoon. Omri is having a troubled sex with Yonatan, his boyfriend, while his mother, Esther, comes on an unexpected visit. She enters the house like a storm and it's clear that something is wrong with her and she's not going to leave. She came with a purpose, she needs her son's warmth. Omri is still in the closet, try to hide the romantic relationship between him and Yonatan and almost ignore Yonatan's appearance. The three of them are trying to act regularly while the tense spreads in the air. They eat dinner, watch a french movie, Yonatan from one side, Esther from the other and Omri is in between. When Yonatan feels it's time for him to go and leaves them alone, the real purpose of the visit is revealed.
A hit man whose mission is to prevent the printing of a tell-all book written by a former Mafioso, falls in love with the employee who may lose her job if the book doesn't get published.
