Wild Nurses in Lust

The ten year old Nisse suffers from acute asthma and is rushed to the hospital. There he meets Lelle who is a bitter, lonely and seriously ill twelve-year-old. Lelle, who never gets any visits treats Nisse kindly. Lelle inaugurates Nisse in his secret plan to build a giant Zeppelin and steal the food available in the hospital's underground reserves.

A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.

Aïssa is a Congolese immigrant in France. She says that she is under eighteen but the authorities consider her an adult. To determine if she can be deported, a doctor must give her a physical examination.

A family discovers their youngest daughter has cancer. But the real struggle has yet to start.

A young woman named Kazue runs over a naked girl on a mountain road. When she stops to help, the girl runs off into an old abandoned house in the middle of the woods.

A meek young man allows a stripper to stay in his house while his domineering mother is hospitalized.

A fire breaks out in a multi-story hospital in the middle of the night and a male nurse and a nursing sister save many lives during a fire in a major hospital.

Lucas Marsh, an intern bent upon becoming a first-class doctor, not merely a successful one. He courts and marries the warm-hearted Kristina, not out of love but because she is highly knowledgeable in the skills of the operating room and because she has frugally put aside her savings through the years. She will be, as he shrewdly knows, a supportive wife in every way. She helps make him the success he wants to be and cheerfully moves with him to the small town in which he starts his practice. But as much as he tries to be a good husband to the undemanding Kristina, Marsh easily falls into the arms of a local siren and the patience of the long-sorrowing Kristina wears thin.

Fatma and her mother are Kurdish refugees living in Italy. One day at the hospital, Fatma learns her mother has breast cancer.

Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.

A good nurse ruins her career by covering up for her sister's careless mistake.