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What makes ‘Memory: The Origins of Alien’ interesting is the way, as one critic puts it, “it was a synthesis that wasn’t done consciously“ of Giger’s biomechanical designs, Scott’s eye for striking compositions and O’Bannon’s fear of insects and the unknown. The Xenomorph, a symbiotic monster and classic cinema nasty, was created through a vast melting pot of the different influences brought to the film by three preternaturally creative people. In regards to outlining the complexities of this origin story, O. Phillippe’s documentary is an unqualified success. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-memory-the-origins-of-alien-three-men-and-a-xenomorph
Honestly, there's not much to say about "Memory." Or rather, there isn't much to say about "Alien" that hasn't really been said before. Most of the information is stuff that's been talked about before. It was interesting to see some more information about the original idea for "Alien," that being the screenplay for "Memory." To be honest, not only would I like to see more about that, but I would actually like to see that movie. It's nice to have a single encapsulated version of all the background info and critical analyses of one of the most symbolic films produced in recent memory, but if you're a fan who's studied this film to death already, you're not going to find anything new or revelatory here. This is really only for fans of the original film. Others probably won't get much out of it.
Comedian, actor, author, director and emblematic figure of the French stage and cinema of the 50s and 60s, Francis Blanche liked to change register, moving from radio to writing to television and cinema, living more than "hundred lives".
Like a lone cowboy, Sergei passionately devotes his life to traditional horse breeding in the impenetrable Arctic Sakha; permafrost and the absence of roads, electricity and channels of communication mean that there is nobody else to rely on but oneself. Sergei is sensitive and introspective; he truly cares about his family, community and treats nature with the utmost respect. He loves the independence and freedom this life brings, despite the immense sacrifices that it necessitates, such as total isolation and being a stranger to his own children. Spectacular camerawork characterizes the Sakha horses in all their magnificence, and juxtaposes the post-soviet towns and the boundless taiga landscapes, where the cold bites through the screen.
The story of the rise to stardom of Joaquin Phoenix, an actor of magnetic physique, tumultuous past, socially committed, who for years has offered outstanding performances.
The Garbage Pail Kids are 30 years old. Celebrate their gross-out greatness with artist interviews, superfan collections, and more.
Jacques Demy’s ability to enchant audiences was rooted in his personal struggles and doubts as a showman, establishing him as one of French cinema’s greatest artists.
An insider's account of Jack Warner, a founding father of the American film industry. This feature length documentary provides the rags to riches story of the man whose studio - Warner Bros - created many of Hollywood's most classic films. Includes extensive interviews with family members and friends, film clips, rare home movies and unique location footage.
How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.
With a sense of humour, this documentary questions the condition of women from the angle of the image and perception of their body, and covers the new taboos and aesthetic diktats concerning their genitals in the era of the sexual revolution and contemporary feminism.
Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum.