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I wish I could give this timeless Arthur Marks-directed masterwork TEN stars! That is just how much I LOVE it. Friday Foster is one of my all-time favorite movies, and I could never wax weary of it. I love this movie so very much, as do I its beautiful star protagonist, Pam Grier ... An inimitable motion picture luminary in her own right. Opening to a groovy soundtrack, "Friday Foster", the film, pays homage to the namesake of its lead character, Friday Foster, a stunning former model turned magazine photographer played by Grier, who finds herself entangled in a web of murder-for-hire involving America's wealthiest black man, the fictive Blake Tarr, who is respectively portrayed by another 70s film/TV legend, Thalamus Rasulala. It is inside of an airplane hangar where a hired killer attempts (but fails) to assassinate the billionaire Tarr, forcing Friday, unbeknownst to the would-be killer, to seek safety in a shielded area. The stubborn and rebellious Friday is not only shaken up, but an eyewitness to the goings on: For she eventually sees the assassin's face, as does he hers. And just that quick, Friday gets her name added to the murder hit list. Why? Well, because Friday, while snapping pics of the chaos, also captured a still image of the would-be killer's face. From there folks, the fun-filled action and suspense builds ... And builds ... And builds... As the plot uniquely unfolds in this fast-paced, and well-shot action thriller, the Yves Saint Laurent silk scarf-wearing, Louis Vuitton Speedy bag-carrying Friday decides to take it upon herself to "play detective" - much to this head-graying and frustrated dismay of her boss - in order to get to the bottom of the mystery surrounding the foiled assassination attempt on Blake Tarr's life, and also to prevent the hit-in-waiting on her own. Enter private eye, Colt Hawkins - played by the irresistible Yaphet Kotto - who teams up with Friday (at Friday's request) to capture not only the would-be killer, but also those higher ups who executed the contract on Tarr's head in the first place. . . Friday Foster, the film, takes its watchers on one helluva dangerous and exciting thrill ride - from the throes of Los Angeles to the political power seats of Washington, DC - leaving a trail of dead bodies in its wake ... Including that one of Friday's best friend, Cloris. Rounding out the all-star cast in this hilarious, though undeniably suspenseful cinematic work of art are: Carl Weathers, Godfrey Cambridge, Eartha Mitt, Jason Bernard, Ted Lange, Rosalind Miles, and Julius Harris, just to name a few. A well-aged tale of money, power, ruthlessness, deception and murder, Friday Foster is a cult classic in motion picture history. Its dramatic suspense never lets up until the end credits begin to scroll. Great movie! Five out of five HUGE stars!
A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.
An innocent man turns fugitive as he reconstructs events that implicate him for a murder and robbery he did not commit.
Paul Kersey is back at working vigilante justice when his fiancée, Olivia, has her business threatened by mobsters.
Good policing doesn't necessarily mean doing everything by the book. But as the business of crime in London turns to favour the Albanians and Turks, how does a "good" policeman survive?
Keyes, a successful photographer who lives at the border of Skid Row, notices a homeless man with a strange old mirror. Immediately struck by it for reasons he cannot explain, he convinces the man to sell it to him, soon behaving in increasingly erratic and unhinged ways.
Wolf is a war veteran who recounts the tale of his legendary youth to a young upstart killer. Flashback to a post-World War 2 time when the young Wolf is wandering the Chinese countryside in search of his missing memories. He only knows to meet someone at an abandoned temple. He ends up hooking up with a local villager, who intends to guide the Wolf to his destination. On the way, they find Wai-Yee, who’s been waiting for Wolf for quite some time. However, Wolf still can’t remember anything, until the bad guys come to find him, and they bear the terrible secret of the Wolf's past.
In the Philadelphia police department, Emmett Young is a hotshot, a workaholic newly promoted to homicide. He learns he has a disease that will soon kill him painfully, so he hires a stranger to arrange his own death. With one eye on the calendar (he's allowed a few days' grace before his murder), he pursues a final case, the serial killing of young women. Emmett develops a profile of the assailant. Meanwhile, his fixer hires an ex-cop to kill Emmett, a lonely security guard whom the fixer taunts and belittles. In this limited time, can Emmett sort out what's important?
When Detecive Max Garrett is assigned to protect the sultry photographer Laura Cross from a ruthless killer, he has no idea what he's in for. The more involved Garrett gets in the case, the more attracted he is to Cross, but as they get closer, so does the killer.
True story of a young woman's abduction by a deranged loner that led to the largest manhunt in the history of Pennsylvania.
When the corpse of mobster Miguel "el chino" Sanabria surfaces, everyone thinks his death is the result of an argument during the heat of the moment. That is, everyone except Officer Ferran (Victor Mayo), who believes something more menacing was at fault. Along with Picasso (Juanko Vellido), the last person to see Sanabria alive, Ferran sets out to find the truth behind the murder - and learns something about his own destiny in the process.
A woman, fired from a financial corporation during the Asia crisis, returns home with no money. However, she finds a box with a fortune in front of her door, and decides to keep it. However, the people that left it there soon want it back.