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When a Chinese family finds out that the family’s matriarch is dying of lung cancer, complications arise. In Chinese culture, there is a saying that when you get cancer, you die. This actually boils down to the belief that it’s not the cancer that leads to the person’s death, but rather the fear of dying. As such, the family orchestrates an elaborate ruse to get everyone together for a wedding, but in reality the gathering is for everyone to be able to say goodbye to the grandmother without actually letting her know the truth. It’s a fascinating premise and based on a true story (or based on an actual lie, as the film puts it). Showing aspects of Chinese culture we rarely get to see, the film takes us on a journey to China as we see modern life and urban development. How accurate it really is, I can’t attest to, and there are times that it feels like there should be more or that something is more complex and we’re being given the fortune cookie version, so to speak. The film does steer clear of politics, so that is not a factor here. This is a beautiful film not just through visual aesthetics but also on a character level. We see how each character faces the impending death of the grandmother differently, such as the daughter-in-law being very matter of fact about it while her husband (the grandmother’s son) is being torn up inside, all while the wise and experienced grandmother continues to dispense advice, oblivious to her diagnosis. It details the variety of relationships we can develop in our life as no two relationships are the same, but they all still love each other despite some distance between certain relatives. There’s something that, despite the comedic premise (it’s sort of a comedy that’s not particularly funny), is very grounded and very real. I couldn’t help but see some of my own relationships reflected on the screen. Beautiful, heartbreaking, and at the same time somewhat hopeful, “The Farewell” comes highly recommended.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Lulu Wang shares an emotional part of her personal life by delivering a beautiful, heartfelt story about her grandmother. Even though The Farewell sticks the landing perfectly, not all of the second act’s storylines captivated me, especially the whole wedding narrative. However, Awkwafina offers a fantastic performance, as well as the rest of the cast. Alex Weston’s score elevates a lot of moments, and the drama-comedy balance is on-point. Rating: B+
This movie is described as a comedy-drama and it is. But I didn’t have many laugh out loud moments. The humor is situational mainly: the writers work up to those moments that make you smile, either because you remember a similar moment in your life, or else because you can’t imagine a similar moment. As happens so often, the story is based on real events. I saw where one review title said it is heartbreaking, but I didn’t see that at all. The movie is fairly uplifting in that it shows the strengths of a family that values all of its members, particularly the very old, whose wisdom and experience aren’t as well received in many American families. When I think about it, nothing definitive seems to happen in the film: no crisis, no climax of action, but this lack of great drama didn’t detract from enjoying the movie. It is all about the journey, not the destination. Enjoy the trip.
A drama teacher's taboo relationship with an unstable student strikes a nerve in her jealous classmate, sparking a vengeful chain of events within their suburban high school that draws parallels to "The Crucible".
Marie violates tradition in a small German town of Lauscha, to become the first female glassblower in in 1890. Her glass ball decorations find a new market in America.
A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.
A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.
Bank manager Frank and writer Patrizia meet by coincidence again and again at the airport. They commute between Dusseldorf and Paris, but behind their travels are two fateful stories. Frank wants to complete the business of his life, Patrizia visits her lover, who is in a coma since a car accident. For both life comes out of joint and they each suffer heavy losses. What connects them is the search for hold, a listener, the need to be needed and the hope that there is a beginning in each end.
Kylie, a wedding planner, has had a string of boyfriends who have all turned out to be gays, including Benj. Eventually, the two became best friends and business partners. When Diego, Benj's childhood friend, resurfaces and asks them to plan his wedding, Kylie sets out to prove that she's right again-that Diego, is indeed another closet case. Will she succeed?
As every summer, Louise is entrusted to her grand-parents for a few days of vacation in the country. The green grass of the garden, the swimming in the lake, the fishing with Grandpa, everything seems as sweet as Grandma's strawberry pies. Yet this year, the snow will fall in summer and a monster will die.