The Battle of the Sexes

A department store clerk decides to marry a withdrawing colleague with tuberculosis, over another dashing, ambitious suitor, leads to a life of hardship and struggle. Though The Nth Commandment survives incomplete, enough exists of director Frank Borzage’s last film while under contract with William Randolph Hearst’s Cosmopolitan Pictures for scholar Hervé Dumont to declare “it the first truly Borzagian work.”

A fisherman finds a corpse in a river, and he turns out to have been the victim of murder. The dead man is John Harmon, a millionaire’s son who was just about to inherit his father’s fortune. The investigation abounds with mysterious events, and a stranger suddenly appears – might he be the killer?

A Spanish festival reveals the emotional distance between a woman and a man.

Gunnar Hede is raised by a strict mother, who wants him to become respectable to match his family’s wealth. He is more interested in his grandfather, who started as an itinerant violin player, but got rich by leading a herd of wild reindeer south to market. He falls for a violinist working with a married couple of traveling performers and renounces his fortune to go with them. He then tries to earn a fortune by driving reindeer to market, but it doesn’t work out and he goes insane. He is finally restored to sanity by the violinist when she returns with the performers.

A six-part adaptation of William J. Locke's novel "Where Love Is."

Kanji is a poor peasant widower who struggles to earn a living for his daughter and himself and to pay off his father-in-law's debts.

Lovers are torn apart by a noble's desire for the female half of the couple.

Mary Miles Minter is Sylvia, the niece of a man who leaves her a fortune. The money is in the hands of his lawyer, Baxter, who uses it to support his ambitious wife and daughter. Sylvia comes to Baxter's home and it's obvious she's not wanted there. Arnold, Baxter's son, is wasting his life away with drinking and nightclubbing, but Sylvia sweetly influences him to straighten up.

Ida May Park started in the film business as a scriptwriter, but in 1917 Universal announced that Park would direct films with actress and producer Dorothy Phillips for the company’s Bluebird brand. Park’s films often had a strong female perspective and The Risky Road is no exception. The story of a country girl who comes to the city to work, but falls for a rich man and undeservedly gets a bad reputation, the film was marketed as “the drama every woman should see”. The surviving fragment, showing the despair of Phillips’s character, is a real cinematic gem that leaves one yearning for more material of the film to be discovered. In 2008, a tinted nitrate fragment, with Swedish intertitles at the opening of the second reel, was deposited at the Archival Film Collections of the Svenska Filminstitutet. From the fragment, a 35mm B&W duplicate negative was made, from which this print was struck using the tinting of the nitrate as color reference.

On a farm in up-country Sweden, an enigmatic stranger comes to a conservative peasant community and seduces a farmer's wife.