Decent watch, probably won't watch again, and can't recommend unless you're just dying for more Harold and Kumar. The movie feels very forced. A buddy adventure, like the first two movies made sense, but a "reconnection through adversity" trope feels tired and it seems to take a lot, to include new buddy teams and cross competition just to get them to a point where their buddy adventure high jinks can start and we get some nostalgia for the previous movies. The Neil Patrick Harris bit feels super problematic, though it is HIM doing it so I guess it is okay. It's a "Harold and Kumar" adventure in a movie about moving away from "Harold and Kumar adventures" towards something about responsibilities and putting family first.
**It has quality, it has several interesting points to observe, but it has a stupid humor that is completely lost by the message it conveys about drugs and sex.** I saw this movie on television by mere chance, just now, and I confess that I didn't like it. It is in fact a light film, it has some good scenes and moments, it even has several quality points as I will discriminate, but if we think about it, its style of humor, based almost entirely on jokes about sex, use of all kinds of drugs and such, spoils everything. I know there are people who like these easy laugh comedies, but I'm far from being one of them. Kal Penn and John Cho give life to the main characters, who they already know very well because it is the third film in this franchise (which I haven't seen and, after this, I won't see it). The film also introduces us to Danny Trejo, Paula Garcés, Richard Riehle and Danneel Ackles, to name just a few supporting actors in this film. The actors are doing what they can with the material at hand, I think that's one of the redeeming values of this film, but there's not much they can do when the material is intentionally bad and still makes money. On a technical level, what I liked the most were the stop-motion animations that appear in a given situation in which the protagonists are stoned. It was a quality asset, and using it was creative and original, even though the film isn't worth our time and money. The settings are also good, especially Cho's house, overloaded with decorations and Christmas lights to the point of being cheesy, thus evidencing the lack of taste of its owner, a drug addict of Korean descent who simply gets rich. The soundtrack also deserves a positive note, if only for its work with the classic songs of the season. As you can see, the film had the potential to be very interesting and was only lost by its lewd humor, the vile, absolutely despicable jokes, and the film's total obsession with sex and drugs. What was the target audience for this crap? Drug addicts and sex maniacs? A bunch of teenagers without any brains to think? Let's be honest: on the one hand, the film conveys the idea that Harold and Kumar (the junkies on duty, that is, the main characters) are totally irresponsible, immature and unworthy of being considered for a serious matter. This is a positive message because indeed drug users and sex addicts are despicable, irresponsible, unworthy of being considered mature or trustworthy. And I emphasize: marijuana, whatever the name you want to give it, is a drug and its consumption is addictive and leads to crime and death. It's an addiction like any other. However, on the other hand, and despite the fact that the film gives us this positive message, it also makes an apology for consumption! What do we see? People who have fun and laugh when they're high, even if they do stupid things! But drugs are like alcohol and all other addictions: at that moment it seems like a good idea, but in exchange for these moments, we sell our soul.
When Erik Stifler realizes that he's the only Stifler family member who might graduate high school a virgin, he decides to live up to his legacy. After some well-meaning advice from Jim's dad, Erik's ready to take his chances at the annual and infamous Naked Mile race, where his devoted friends and some uninhibited sorority girls will create the most outrageous weekend ever.
With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.
Times are changing for Manny the moody mammoth, Sid the motor mouthed sloth and Diego the crafty saber-toothed tiger. Life heats up for our heroes when they meet some new and none-too-friendly neighbors – the mighty dinosaurs.
In this absurd sequel, Selina has no idea how to fulfill her destiny as the new Moon Wizard, but she's been having visions predicting the return of her evil nemesis Moon Ghost, so she'd better figure things out soon.
Two stoners wake up after a night of partying and cannot remember where they parked their car.
When a family can't be together on Christmas, they bring their dysfunctional family Christmas online.
Mysterious alien Critters have crash-landed in a small college town, devouring every living thing they encounter. Drea and the kids she's babysitting must try desperately to save themselves from the ravenous, rolling beasts. Will Drea discover her inner badass, and will it be enough to stop the Critter onslaught?
In search of kicks in Reykjavik in the year 2000, a pretty teenager, Stella, teams up with a handsome alcoholic, Robbi, and in a stolen car careers through Iceland with unexpected and bizarre consequences.
The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it's pushed aside when their mother suffering from dementia loses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.
A satiric tragi-comedy about two women and their lover Robert who is an emigrant that keeps coming back. This film shows chaotic post-communist Europe after the fall of totalitarianism. Two opposite characters, women, meet during the Velvet Revolution in November 1989. Intellectual dissident Nona and a Communist secret police boss’ mistress Ester. They meet at an anti-regime demonstration and become friends. They don’t want anything to do with politics, both want to get married and have kids, but also get rich. Crazy plans and risky attempts to realize their shared dreams land them in many sticky situations in the post-revolution chaos. Too much money gets in the way of the power of friendship.
Soare is a musician with too little inspiration and too many neurons baked from smoking weed. One day, he decides that his life has become too chaotic, so he begins writing a guide for surviving the moments when his reality stops making sense. Passing various surreal episodes, Soare hopes to regain his inspiration.