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A really delightful drama with superb performances and a great editing.
**The movie works well, but there are some details in the story told that, to me, make little sense. Am sorry.** Generally, I don't really like films that are too apologetic, that is, films that use cinema to advocate and defend causes, political ideas, social movements. It's OK to be part of the plot of a movie, but to make a movie for defense/publicity of these ideas is another very different thing. When I started to see this movie, I was scared to find just another movie defending the gay lobby, and its social and political flags. Well, now that I'm done, I'm relieved that my fears didn't go beyond that. The film has a fairly regular script, which seeks to tell an interesting story, focused on how a man begins a very passionate relationship with a charming Frenchwoman he has just met. He was very depressed because of the recent death of his father, and while the film tells us how the couple evolves in their new relationship, it also tells us how was, lately, the relationship between him and his father who, shortly after widowing, decides to tell his son that he is sick and is going to die of cancer and, moreover, that despite having been married, he has been a homosexual all his life, suffering at the cost of that secret and having a secret boyfriend. The strong point of the film is not only the dramatic story told (I never felt it was a comedy, as some say, despite having few funny moments in between), but also the original way in which it is told to us, with flashbacks and in a very visual way, using photographs and a very visual and interesting narrative style. There are certain moments when I felt that the narrator (the son) was actually presenting slides to the audience, which is us. And with that, I felt that Mike Mills, the director, took a calculated risk, and it turned out very well. Unfortunately, I felt that the homosexual subplot is not as credible. I simply cannot conceive how such a sick and elderly man would be in a loving relationship with someone who is almost his son's age. It's not a situation I can believe in… not because it's a gay relationship… but because of the age difference and health situation. In addition to the good story and the elegant way in which it is told, the film brings us a luxurious cast of great actors, with an evident highlight for the veteran Christopher Plummer, who gives us a moving and extremely worthy portrait of that father. By his side, and equally impactful and powerful, Ewan McGregor, in one of the strongest works I remember seeing him do. And this is not an understatement, as we know that McGregor is a great actor, and he has already proved to us what he can do on other occasions. Melanie Laurent, fresh out of "Inglorious Bast…ds”, has another excellent work here, although her character is not as remarkable and interesting as the two male leads. Goran Visnjic, unfortunately, has the most thankless role. I felt like he's really the most in the movie. Technically, the film is discreet, but effective, and bets a lot on interesting and well-crafted cinematography, with visuals that we can appreciate as the film unfolds. The editing is good, the pace is pleasant, and the sets and costumes are within what we could have expected to find. The soundtrack doesn't stand out or stand out.
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
Charles Duchemin, a well-known gourmet and publisher of a famous restaurant guide, is waging a war against fast food entrepreneur Tri- catel to save the French art of cooking. After having agreed to appear on a talk show to show his skills in naming food and wine by taste, he is confronted with two disasters: his son wants to become a clown rather than a restaurant tester and he, the famous Charles Duchemin, has lost his taste!
Based on the real life story of Parinya Charoenphol, a Muaythai boxer who underwent a sex change operation to become a woman.
After finding out that her husband, Rudi, has a fatal illness, Trudi Angermeier arranges a trip to Berlin so they can see their children. Of course, the kids don't know the real reason they're visiting - and the catch is, neither does Rudi...
On Christmas Eve, Léa and Juliette, a couple, want to rob a supermarket that Juliette knows is empty of surveillance on this festive evening. But, as much for each of them as for Eric, the vigil who is there after all, nothing will happen as planned. Besides, shortly before leaving him alone, the store manager gave Eric a gun, just in case.
Thomas, the son of a prison warden, falls for Martin, one of the prison inmates. After Martin is released, they try to build a relationship and a life together but, no one will leave them alone.
Felix has been raised by his grandmother and has never met his father. His father Johan, doesn't even know he exists. Felix decides to become a regular in his father's bar in Amsterdam to secretly learn more about the man he has never known.
Comedy drama about a family reunion written by and starring Richard Herring. It's Ken and Margaret Snell's 45th wedding anniversary and their children and grandchildren along gather to celebrate. For Ken and Margaret's children, it's a day to revisit childhood arguments and to paper over present-day fractures in their relationships.