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Nothing left to do but try again. Gunfighters (AKA: The Assassin) is directed by George Waggner and adapted to screenplay by Alan Le May from the novel "Twin Sombreros" written by Zane Grey. It stars Randolph Scott, Barbara Britton, Bruce Cabot, Dorothy Hart, Griff Barnett and Forest Tucker. Music is by Rudy Schrager and Gerard Carbonara and cinematography by Fred Jackman Jr. A gunman who has laid down his guns finds that circumstances test him to the limit... It's a familiar formula that any Western film fan can acknowledge as being over used, that's not to say that the right production isn't worth visiting as such, but expectation of something fresh can often lead to dissappointment. Built on solid foundations due to scorching location photography and Randolph Scott prepping himself for greater things in the next decade (see also The Walking Hills 1949), it's a pleasurable piece. It also - via the narrative - isn't afraid to be bold as regards the ultimate decisions made by Scott's Brazos character, giving the pic a darker edge and being all the better for it. Elsewhere, the villains are standard stuff but entertaining regardless, the twin beauties of Britton and Hart have interesting parts to play, and the action scenes are well put together - with the pursuit sequences exciting. Filmed in Cinecolor, it's nice to report this is one of the better photographed Westerns in that format, which is just as well because the Sedona locations are to die for. Not what you would term a keeper, but for Western fans of the era and Scott fans in general, it's worth its salt. 6.5/10
Randolph Scott is "Brazos", an accomplished man with a gun who finds himself accused of the murder of a man on a ranch. Can he prove he is innocent before the law, and the ranch-owner catch up with him? I usually find Scott a bit too sterile in these roles and here is no different. His style of acting is dignified and aloof - and somehow or other that just leaves the adventure element a bit flat. Add to the mix the almost twin-like sisters of "Bess" (Barbara Britton) and "Jane" (Dorothy Hart) and the romantic elements further contribute to the dullness of the whole thing. Bruce Cabot and Forrest Tucker try to inject a touch of menace into the proceedings, but sadly just to little too late to rescue this from mediocrity. Rudy Schrager's score is neither one thing nor the other, either - it dances a line between jollity and peril in an overblown and interfering fashion and all told, we are presented with nothing at all special, here.
Banker Mason is after the ranchers land so he can resell it to the railroad for a profit. He has the railroad agent killed and replaces him with his stooge who then offers even less than Mason. But Rocky eventually suspects Mason and when Bill Anderson informs him the agent is a fake, they head out after Mason
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
Peter Miles stars as Tom Tiflin, the little boy at the heart of this John Steinbeck story set in Salinas Valley. With his incompatible parents - the city-loving Fred and country-happy Alice - constantly bickering, Tom looks to cowboy Billy Buck for companionship and paternal love.
Released from a navy hospital following WW II, Lon Evans learns that he faces eventual blindness and returns to his Wyoming ranch. He sees a beautiful white stallion named Starlight and his cowhands Lem and Yancy say he is a killer and cannot be trained. Lon disproves this by training the stallion to act as his guide in preparation for his future blindness.
Director William Witney puts his distinctive stamp on the Don "Red" Barry western Outlaws of Pine Ridge by opening the picture with a body sailing through the plate-glass window of a frontier saloon. Barry stars as gun-slingin' Chips Barrett, who makes it his mission in life to prevent the inaccurately nicknamed Honest John Hollister (Noah Beery Sr.) from becoming territorial governor. Complicating things is the fact that Chips is in love with Honest John's daughter Ann.
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."
The year is 1949. A young Texan named John Grady finds himself without a home after his mother sells the ranch where he has spent his entire life. Lured south of the border by the romance of cowboy life and the promise of a fresh start, Cole and his pal embark on an adventure that will test their resilience, define their maturity, and change their lives forever.
A protegee of notorious outlaw Montana (Beery), young Tom Benton decides to stay on the good side of the Law upon reaching maturity. Montana, however, has no such inclination to reform, the result being a climactic gun duel between the ageing gunman and his former pupil.
John Clark (Bob Steele) and his deaf pal, Bootch Collum (Buck Connors), are trailed by U. S. Marshal Lamar Bly (Jack Rockwell)...
Gunslinger Clayton Drumm is about to be hanged when he is given a chance to live if he agrees to murder Matthew, a miner who has steadfastly refused to sell his land to the railroad company. Matthew’s refusal is a major obstacle to the railroad’s plans for expansion.