Homestead 2024 - Movies (Jan 31st)
Piglet 2025 - Movies (Jan 31st)
Dark Match 2024 - Movies (Jan 30th)
Omni Loop 2024 - Movies (Jan 30th)
The Fabulous Four 2024 - Movies (Jan 30th)
Maurice And I 2024 - Movies (Jan 30th)
The Club That George Built 2024 - Movies (Jan 30th)
Heretic 2024 - Movies (Jan 30th)
Wicked 2024 - Movies (Jan 30th)
The Line 2024 - Movies (Jan 30th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Ghosts - (Jan 31st)
Sesame Street - (Jan 31st)
The Bold and the Beautiful - (Jan 31st)
Lets Make a Deal - (Jan 31st)
The Beat with Ari Melber - (Jan 31st)
The Price Is Right - (Jan 31st)
The Kelly Clarkson Show - (Jan 31st)
The Young and the Restless - (Jan 31st)
Love Island- All Stars - (Jan 30th)
Deadline- White House - (Jan 30th)
Hannity - (Jan 30th)
Jesse Watters Primetime - (Jan 30th)
Beat the Chasers - (Jan 30th)
First Dates Ireland - (Jan 30th)
Murder by the Sea - (Jan 30th)
Deal or No Deal - (Jan 30th)
Happys Place - (Jan 31st)
The Last American Vagabond - (Jan 30th)
Richard Osmans House of Games - (Jan 30th)
Four in a Bed - (Jan 30th)
Maryana came to the conclusion that she no longer wanted to live because the bullying became unbearable. Based on stories from her family, teachers, friends and classmates, we get an idea of who Maryana was and what kept her busy. All relatives have the same message: let's learn from this and ensure that this does not happen again in the future.
A documentary about Ibrahim Gezer, who escaped from war in Kurdistan to Switzerland. All is lost, except his love for beekeeping.
An comprehensive look at the life and music of Mark Linkous, a influential figure in the alternative music scene. Critically-acclaimed Linkous had a dramatic life that saw him battle with drug and alcohol addiction, paralysis, and debilitating depression that resulted in his eventual suicide. Mark's music was heralded by his peers and critics; a mix of delicate pop, discordant punk and melodic odyssey; it has been described as defiantly surrealist with all manner of references to smiling babies, organ music, birds, and celestial bodies. The film mines Marks life and music and navigates the sacrifices and highs and lows of his art.
An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.
Caiti Lord had always dreamt of being a singer. A born-and-bred New Yorker, she studied at the best music schools and performed on Broadway. Her future was sparkling bright . . . But today, the only thing that glitters is the snow that falls on the desert. Self-exiled in Madrid, New Mexico, far from the glitz and glamour of the Big Apple, Caiti’s looking for a way forward. In this former ghost town, surrounded by mountains and old hippies, between her day job slinging drinks to tourists and the sleepless festive nights, her life is slipping by. That’s the story she tells each day on her radio show. As the United States sinks into madness and the world turns terrifyingly absurd, Caiti feels increasingly suffocated. She’s about to turn 30 and her future has never felt so uncertain. How can she find her way back to a place of meaning and self-expression?
You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.