폴란드로 간 아이들

Eighteen months in the life of 89 years old Viola Dees as she tries of persuade Los Angeles authorities that she can care for her grandson, 9-year-old Walter.

October 1945. A young Japanese boy in the devastated city of Nagasaki, two months after the atomic bomb, carries on his back the lifeless body of his younger brother. An American military photographer, Joe O'Donnell, took a picture of the boy standing stoically near a cremation pit. No one knows the subject's name, but the photo has become an iconic image of the human tragedy of nuclear war. This documentary follows the continuing efforts to deepen understanding of the photograph, while exploring the fate of thousands of atomic-bomb orphans and their struggles to survive the aftermath of World War II.

A documentary tale about sport and politics under martial law. All of Poland saw the great goals of Boniek and Smolarek during the Espana '82 championships. For a moment, it was forgotten that the background of the sporting performance was martial law, censorship, an army on the streets, prisons filled with oppositionists. The performance of the players was so successful that it was called "the most beautiful series of martial law". The game is watched by interned activists of "Solidarity", sports journalists and censors, cutting out all manifestations of the opposition from television broadcasts. We also get to know the performance in Spain from the perspective of the players, trying to meet not only their ambitions but also to bear the burden of fans' expectations and regime propaganda.

“Where is the human soul? Is it in the heart? In the brain? Or maybe elsewhere?”, wonders an old doctor who has spent his life working at a psychiatric hospital in the Siberian countryside. The place, which was inaccessible for film crews, can be shown thanks to its residents, some of whom spent several decades at the hospital. This discreet and, at the same time, insightful observation of the patients’ daily lives transforms into meditation on the human nature, which is not entirely penetrable.

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

In 2008, late President Roh Moo-hyun returned to his hometown Bongha village after his retirement and was joined by supporters as he recreated his hometown and began to clean up the Bonghae Mountain, cultivating Bongha Mountain, and cultivating environmentally friendly rice.