The Doo Dah Man

Diogo Alves is a Spanish fugitive that comes to the Portuguese capital terrorizing the inhabitants by his cut-throat methods against rich and poor people alike. He attacks the women launderers on the Lisbon Aqueduct and throws the bodies over the high wall, and assaults homes with his large band of criminals. Eventually arrested, he, his female companion and his henchmen are condemned to death by the court.

A family gathers together for a commemorative ritual whose nature only gradually becomes clear.

Suburbs of Rome (Italy), Summer of 1993. On top of a wide valley, a group of four kids has built a small shelter in which they spend the afternoons after schooltime. On one of those summer afternoons, the kids take their bikes and go for a journey through the paths of Tolfa and Allumiere. Suddenly, they discover a beautiful medieval farmstead. They don't know it yet, but what they'll find in it will change their lives forever.

A teen, jailed in an adult prison in Britain, takes his own life in July 1990.

A struggling band find themselves attached to a fugitive and drawn into a series of old feuds and love affairs, as they try to stay together and find musical success.

Hildegart is conceived and educated by her mother Aurora to be the woman of the future, to become one of the most brilliant minds of Spain in the 1930s and one of the European references on female sexuality.

This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.

Auro suffers from a progeria like syndrome. Mentally he is 13 but physically he looks 5 times older. In spite of his condition, Auro is a very happy boy. He lives with his mother Vidya, who is a gynaecologist. Amol is young, progressive politician. He is a man with a mission. Auro is Amol's son. Paa is a 'rare' story about a father-son, son-father relationship.

When the wife of sports-writer Joe Warr dies of cancer, he takes on the responsibility of raising their 6-year-old son, and his teenage son from a previous marriage. As Joe rejects the counsel of his mother-in-law and other parents, he develops his own philosophies on parenting.

After 15 years, Mateo returns to the old textile factory to say goodbye to his recently deceased mother. Incidentally, he will have to spend time with his alcoholic father, whom he can't stand.