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FBI- Most Wanted - (Dec 4th)
The Young and the Restless - (Dec 4th)
Lets Make a Deal - (Dec 4th)
Moonshiners - (Dec 4th)
Winter on the Farm - (Dec 3rd)
Tuttle Twins - (Dec 3rd)
The Bad Skin Clinic - (Dec 3rd)
Im a Celebrity... Unpacked - (Dec 3rd)
The Beat with Ari Melber - (Dec 3rd)
The Martin Lewis Money Show - (Dec 3rd)
Acting Good - (Dec 3rd)
Deadline- White House - (Dec 3rd)
James May and the Dull Men - (Dec 3rd)
Deal or No Deal - (Dec 3rd)
The One Show - (Dec 3rd)
The Bold and the Beautiful - (Dec 3rd)
The Talk - (Dec 3rd)
Sue Perkins Big Adventure- Paris to Istanbul - (Dec 3rd)
The Princes Master Crafters - (Dec 3rd)
QI - (Dec 3rd)
David Blair > Morgan Freeman I can't remember the last time I laughed so hard, for so long, in a single sitting. Every time Blair ends a sentence with "the bees" in that perfectly flat monotone voice, my god. I've always touted Klimov's Come and See as the pinnacle of anti-war film, but now it's clear to me I couldn't have been more wrong. Some quotes from the narration: > "My favorite stopping place was the launch site monument where the Army had tested Nazi rockets. On the Bee Television, I could see that this was where the Moon and the Earth were joined. All around this place, semi-intelligent weapons were trying to escape the Earth, hoping for a new life elsewhere. When I was away from the ground, the Bee Television became even clearer. I could lose myself in the images and become a weapon myself, rising through the air. My destination was the Moon. That's where the dead lived. I always enjoyed visiting the moon. The dead were always quiet until I started to leave. That's when they spoke. They spoke to me... as bees. > "I started taking morning walks in the desert. All this time, the Bee Television was active inside me. I received pictures from the bees. They showed me how weapons died every day. Every night in the trailer park, the bees told me about the new world where they had settled and formed a new nation. It was the land of the dead. The Bee Television showed me that place where the radiant souls of living spirits split into innumerable pieces, forming beautiful patterns that were their new bodies, and at the same time, a language. It was the language of Cain, brought with him when he fled the Garden of Eden." > "The bees were waiting for me. They weren't directly visible to light, but I knew they were there. I dissected the queen. She was blind. They danced backwards. These bees must have come from underground. Then I saw the bees directly. Thee were 30 feet tall. They sang for me." >"Those who murdered Zoltan Abbassid would be my victims. Then I would be reborn. I had seen God in the planet of Television and had faith that this was true. I became a shape of light, the poem that I was. I hid in a flower crystal on the bee television. The "X" shape followed the path that my enemies were fleeing along. They were heading forwards through time, back to Mesopotamia which now had a different name. I followed my enemies through the Bee Television to emerge in the air above Basra, southern Iraq, in the year 1991. Now, I was going to kill. That was my job." Someone said that if Gravity's Rainbow is the missile, then this is the bomb. It's more like, if Gravity's Rainbow is the cry for help, at the missile incoming, then Wax is the devastated geography left after the blast. In your mind. Made from honeycomb. Rising through the air. Towards the hidden planet within the Moon. The land of vengeance. Where spirits speak through photography, in the language of Cain. As bees.
US dubbed and edited version of the Japanese film Rodan. A mining engineer investigates the death of his fellow co-workers and discovers prehistoric dragonfly nymphs emerging from the mines. As he heads deeper into the mines, he makes a more horrifying discovery in the form a prehistoric flying creature.
In July of 2013 Sean Miller disappeared for four days. Seven years later a documentary film crew found out why.
After a construction project begins digging in their neighbourhood, best friends Tuck, Munch and Alex inexplicably begin to receive strange, encoded messages on their cell phones. Convinced something bigger is going on, they go to their parents and the authorities. The three embark on a secret adventure to crack the code and follow it to its source, and discover a mysterious being from another world who desperately needs their help. The journey that follows will change all their lives forever.
Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee’s Playhouse, and then turns them upside down and inside out to create an entirely singular video genre. In I-BE AREA, Trecartin intertwines the stories of an incredible ensemble cast to follow a day in the life of I-BE II, the rebellious clone of I-BE.
Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.
When an alien race invades and begins to brainwash humans to carry out acts of destruction, the rest of humanity must rely on an untested giant robot to save the Earth.
Mona relates her dream. Crawling through an apparently endless wooden crate, she encounters diverse characters while the crate itself is moving towards a fiery destruction.
Through a very surreal chase of spying and surveillance, Catafuse, a dubiously dressed "creature", hunts down specific human targets with the help of Molosstrap. But in a world completely run by the shadowy hands of the pharmaceutical industry, the lines of reality become so blurry and complex, that the mastering of insanity might just be the only way out...
An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.
Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.
Shibuya, the year is 2036. In contrast to the front face of the city with its huge skyscrapers, the backside of Shibuya is a home ground for WeTubers. Mitsuru (played by Daichi Kaneko) and Kakeru (played by Kotaro Daigo), who grew up together as orphans, live a life at the bottom of the ladder with no family, education, or money, but they dream of a great turnaround in their lives by becoming popular WeTubers. One day, they encounter a mannequin uncle (played by Shôhei Uno). When he releases a video of his encounter with the suspicious mannequin uncle, the number of views on their channel increase dramatically. Viewers begin asking him for advice, and they decide to help solve their problems. However, they soon find their selves caught up in a puzzling case.
