My Nanny Stole My Life - Movies (Dec 1st)
Princess Halle and the Jester 2024 - Movies (Dec 1st)
Route 60 The Biblical Highway 2023 - Movies (Dec 1st)
Believe in Christmas 2024 - Movies (Dec 1st)
Holiday Touchdown A Chiefs Love Story 2024 - Movies (Dec 1st)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Aiden 2024 - Movies (Nov 30th)
A Good Enough Day 2024 - Movies (Nov 30th)
Bringing Christmas Home 2023 - Movies (Nov 30th)
Never Let Go 2024 - Movies (Nov 30th)
Music Box Yacht Rock A DOCKumentary 2024 - Movies (Nov 30th)
Joker Folie à Deux 2024 - Movies (Nov 30th)
The Rev 2023 - Movies (Nov 30th)
Malum 2023 - Movies (Nov 30th)
Home Kills 2023 - Movies (Nov 30th)
Deck the Walls 2024 - Movies (Nov 30th)
A 90s Christmas 2024 - Movies (Nov 30th)
Love Your Weekend with Alan Titchmarsh - (Dec 1st)
EXOs Travel the World on a Ladder - (Dec 1st)
Lucky - (Dec 1st)
The Swiss Family Robinson- Flone of the Mysterious Island - (Dec 1st)
The Late Late Show - (Dec 1st)
Invincible Fight Girl - (Dec 1st)
Motorway- Hell On The Highway - (Dec 1st)
The Beat with Ari Melber - (Dec 1st)
The Sunday Show with Jonathan Capehart - (Dec 1st)
Dispatches - (Dec 1st)
Cooking Buddies - (Dec 1st)
Wolf Hall - (Dec 1st)
48 Hours - (Dec 1st)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
So, here comes the long-waited train to our station. We've been waiting for him for more then a century, hoping for free decision of old, as cinematography itself, theme. During that time the world's been changing, TV grown up, virtual art started to cry in its curable, and the train were coming and coming. While raining, we were dancing rumba and felt a terrible jealousy to old Lumiers. They, pioneers, could easy found themes and decisions. And we? What's the fate of our missed generation? Everything has been already shouted. Everything. Even that, for what normal man wouldn't give a piece of film. So what we had to do? Dance rumba. Besides, right on the station, under the rain falling down. Because everyone should be glad and all "classic" fears should be lost. Oldmans waited the train to shoot its coming for the first time, and we also will wait and shoot. Why not? The cinema started with train, we ourselves started with cinema (I mean art birth), so that's why we had a complete right for some liberties. At last, who quilts we are not like other, normal passengers and even wears different clothes? Not only family and school, but cinema prophesies too. They shouted people in much mute extraordinary clothes. And what about passengers - they are consumers. They are really not same as we are, because have a clear knowledge where art finishes and life starts. So that's why we shoot the train's coming again, while passengers walking around. But suddenly here comes an angry male with the face of degenerate, and everything really stops. Because angry males don't care about development of world cinematography. Maybe, we all died, and felt no pain nor fear. Any case, not such terrible as first seance on Caputines Blvd.
Darcey Bussell and Roberto Bolle star in Frederick Ashton's Sylvia, restored to the splendour of its elegant and opulent three-act form for the 75th anniversary celebrations of The Royal Ballet. With origins in Greek mythology, Sylvia was loved by Aminta, abducted by Orion and eventually rescued by Eros. Recorded live at the Royal Opera House, Covent Garden on 1st and 5th December 2005.
A contemporary musical version of the classic Cinderella story in which the servant step daughter hope to compete in a musical competition for a famous pop star.
Azusa (Anna Ishii) and Narumi (Fuka Koshiba) are 2nd grade high school students. They lack confidence and also any kind of ambitions. Hazuki (Karin Ono), Tamaki (Mika Akizuki) and Mika (Miku Uehara) are also unnoticed students at the same high school. These five girls form a dance club and begin to dance to get credits. They soon learn the joys of dancing and also learn to express themselves.
Created in response to a traumatic hate crime, artist, Venus Patel, explores her emotional journey through several archetypes, each of whom perform with an egg. Using the weapon of the assailant, the egg itself becomes a tool with many psychological and symbolic meanings within it. The power of reincarnation, birth, nature, hope while also pointing to the power it has to utterly humiliate and embarrass if used in a certain way. There is an embrace of the absurdity of these performances while still speaking to the deeper subject matter. By placing the outlandish characters into public spaces, they confront a preconceived notion of pushing true queer expression into only hidden spaces or only at night, into the daylight and into the normal everyday experience.
The Gay Parisian is an American short film produced in 1941 by Warner Bros. featuring the Ballet Russe de Monte-Carlo and directed by Jean Negulesco. The film is a screen adaptation, in Technicolor, of the 1938 ballet Gaîté Parisienne, choreographed by Léonide Massine to music by Jacques Offenbach. It was nominated for an Academy Award at the 14th Academy Awards for Best Short Subject (Two-Reel).
The first of a series of six two-reel "Musical Parade" shorts produced in Technicolor for the Paramount 1943-44 production season. The series would continue into 1948, and then were reissued in the early 50's. Songs included "All the Way" and "At the Mardi Gras."
Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.
Two struggling brothers start a money lending business, facing fierce opposition from rival Ah Longs. They must save a tailor from a ruthless enemy while trying to succeed in business to honor their adoptive father’s mandate.
An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.
In the far-off future of 2001, a young boy from outer space lands on earth inside a flying peach. The boy (named Apple) is adopted by a Catholic priest, but soon disappears. Three schoolgirls decide to search for him, and soon find evidence that he is being held captive in a trendy dance club. What is the club owner doing with him, and will his adopted father ever see him again?