Rang Birangi

An ex-boxer Baldev Choudhary (Dharmendra) has had a stain in his boxing career. He wanted to wash it with his son Angad's (Sunny Deol) success, but times were hard and a financial crunch kept him from achieving this dream. Though Angad pulled through fine, Baldev never forgot who ruined his chance to wash the stain. An opportunity strikes Baldev in the form of a T.V. Show. He trains a local boy to get into this media hyped boxing show, but is ditched for a better coach at the last minute. Baldev's younger son Karan (Bobby Deol) has just launched his first music album. Realizing his father is in crises of his life, he gives up his dream of a musical career to get into the game of boxing.

Baffling the authorities, a secret organization with powerful connections is creating havoc and getting away with loads of money. But their criminal run may be drawing to an end as an astute secret agent closes in with plans to bring them down. Unfortunately, the gang of baddies is tipped off to his activities and devises a counter-attack designed to eliminate him permanently.

Fashion designer Samir (Aftab Shivdasani) works closely with friends Sharad (Parvin Dabas), Satin (Vrajesh Hirjee) and Shikha (Anjala Zaveri). Another friend is Janvi (Neha), who wishes Samir would see her in a romantic light. But the girl who's caught Samir's eye is Muskaan (Gracy Singh), whom he meets accidentally over the phone. Gradually, the two fall in love, without ever having seen each other's face.

A small town in rural India gets to witness a confrontation between two fathers - one a rich, powerful, influential, and cruel Zamindar Thakur Avadh Narayan Singh - who wants the man who filed a police complaint against his two sons to be killed immediately. And the other is Rudra, a poor laborer employed by Avadh, who wants justice when he finds out that his nine year old daughter, Durga, has been beaten and brutally raped by Avadh's sons, Bachhu, and Bhola. Amidst this background we have a corrupt doctor, who is willing to change his medical report after he is bribed appropriately; and a Police Inspector, Ramnarayan Bhardwaj, who is willing to drop any charges against Avadh's sons provided he gets his "dues" from the Thakur.

A masked man is killing a group of underworld hoods, which has the police and the hoods equally baffled.

Indian (Sohail Khan), or I, as he goes by, is distraught when he must move to London with his father in order to live with the rest of his family, who have been living in England for a while. Once there, I begins to realize that many of the minority families are being bullied by white skinheads, and he decides he must get involved in order to stop the cycle of hatred.

A tender fable about childhood innocence amid the realities of war is set against the rugged landscape of Kashmir, so long a flash point for the territorial claims of neighboring India and Pakistan. The title character, an eight year old mountain boy, often hears distant gunfire. But it is not until he goes on a quest to reclaim his beloved donkey, which has been confiscated as payment of his poor family's debts, that he is drawn toward a violence he has no capacity to understand.

Chandan lives with his elder brother and uncle. One day while going across the river to get some medications for his uncle, he meets with Gunja, and both eventually fall in love. Fate makes Gunja's sister, Roopa, get married to Chandan's brother. Roopa dies in a freak accident. The family decides that Chandan's brother should get married again, and they propose marriage to Gunja. Will Chandan sacrifice his love for his nephew, and brother? Will Gunja accept her brother-in-law as her husband?

Sushma believes that she is too young to get married, but her father, Lalla Banarsilal insists, and she runs away. Her adventures take her to a lonely wealthy widower with a cute daughter named Guddi; a drunken lout in a brothel; Dr. Kruparam, a psychiatrist, who admits her in his mental hospital; a dreaded bandit who has killed his tormentor, cut him into pieces and fed them to birds, and who still on a killing spree; Pandit Gorakhnath who lives a double life - as a priest and as a smuggler; a leper Dhanraj, who once was a very wealthy man, but is now shunned by everyone; a transvestite stage actor; and a hunter who saves Sushma's life by shooting dead a man-eating lion. As things spiral out of control for Sushma, there is yet one more male she has to meet, and it is this meeting that will change her life even more.

A story-writer attempts to convince a producer to accept four erotic stories from the Panchtantra.

Kailashpati is a widower, and father of an only son, Ramesh. He feels that his son has come of age, and must get married. He goes to see a number of young ladies for him, but is disappointed with them, as he feels they are too modern, speak English, and listen to foreign music. He feels that Ramesh will be better off marrying a non-English speaking lady, preferably from a small village. But the predicament of Ramesh is that he is already in love with Ramola, a very well qualified, English speaking Doctor, and he knows fully well that she will not be approved by his dad. So Ramesh, Ramola and Lalaji concocts a plot, making Ramola masquerade as a naive, non-English speaking village belle, with hilarious and unpredictable results.