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Yet again a great piece of art!
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-french-dispatch-spoiler-free-review "The French Dispatch possesses all of Wes Anderson's trademark quirks, but this time, even hardcore fans of his unique style will struggle to not feel overwhelmed. Every filmmaking department shines in such an impressive manner that one could call this movie a "technical masterpiece" packed with fantastic performances across the board. Unfortunately, the cliche criticism "style over substance" fits this picture too well. The infinite amount of Anderson-ish quirks transforms the already uninteresting narrative with emotionally hollow characters into an extremely challenging, hard-to-follow story. In four simple words: it's just too much..." Rating: C+
Impeccably well made, supremely enjoyable. This is only the second Wes Anderson film that I've seen (fwiw, first was 'Moonrise Kingdom' which I didn't like all that much *hides*) and now I can better understand the hype that man gets. 'The French Dispatch' is quality, plain and simple. The ensemble cast are a delight, with many a familiar face spread across each segment and each one of them bringing entertaining performances. Frances McDormand would be my standout performer, closely followed by Benicio del Toro. Though, to be honest, all them are terrific - from Owen Wilson to Adrien Brody to Léa Seydoux to Timothée Chalamet to Jeffrey Wright. Christoph Waltz, Willem Dafoe and Bill Murray star too. Unreal casting, that! Anthology flicks can be hit-and-miss for me personally, though to be fair my predominant previous exposure to them has been via those cheaply made Disney animated sequels from yesteryear so time will tell if that feeling holds. I'm pleased to say here, though, that I thoroughly enjoyed watching one develop. It helps that this release knits the segments together seamlessly, with stunning cinematography, editing et al. Loved the animated part, too.
I suppose like any newspaper or magazine upon which this compendium effort is based, there are some "articles" more interesting than others - and that's what this offers. Three elongated features form the centrepieces of this somewhat surreal comedy. As you might expect from Wes Anderson, these stories are eclectic, and delivered well by a cast that were well up for their tasks. My favourite of the three features Frances McDormand and Timothée Chalamet offering us some sort of Hemmingway-esque parody of revolution fought over a chess board - with quite humorous results. Humour is a strong feature of this film. I would say comedy, not so much. One has to pay attention to what is going on to get the best from the acting, the script and, as importantly, the imagery which effortlessly mixes monochrome and colour, and which is also bright, vivacious, and frequently just as informative as the dialogue. It does run out of steam at times, the themes could have been a little more compact, and the two side-stories - especially the travel report with Owen Wilson at the top of the film didn't work so well for me. I'm not an huge fan of eccentricity - it is all-too-often just hit or miss, but here we have more hits than not, and with a healthy swipe at journalistic values along the way, a bit of romance and some daft antics from a rogue Benicio del Toro, this is certainly worth watching.
Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/the-world-through-pastel-colored-glasses-the-french-dispatch-review Watching a Wes Anderson movie is a feast for the eyes. Few directors have such a distinct visual language. When you are watching a Wes Anderson movie, the audience knows it’s a Wes Anderson movie. _The French Dispatch_ is no different. It is a series of vignettes from the fictional French foreign bureau of the Liberty, Kansas Evening Sun’s last issue following the death of its editor, Arthur Howitzer Jr. (Bill Murray). Each scene is an extraordinarily detailed still life painting that welcomes the audience to the dreamy French town of Ennui-sur-Blasé. It’s what the world would look like if we were all wearing rose-colored glasses.
This film might be a tie with Grand Budapest Hotel for my favorite Wes Anderson. It's wacky and creative. The pacing is so fast that it will need another watch to really appreciate. I wish I'd seen it on a big screen :-( Did I mention the amazing cast and the super job they did?
Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.
A hard-nosed Chicago journalist has an unlikely love affair with an eagle researcher.
Clay is a young man in a small town who witnesses his friend, Earl kill himself because of the ongoing affair that Clay was having with the man's wife, Amanda. Feeling guilty, Clay now resists the widow when she presses him to continue with their sexual affairs. Clay inadvertently befriends a serial killer named Lester Long, who murders the widow in an attempt to "help" his "fishing buddy."
Fanny, a shy and lonely teenager, goes on a language exchange to Germany. In Leipzig, she meets her pen pal, Lena, a teenager eager to become politically active. Fanny is troubled. To win over Lena, she invents a life for herself, to the extent of becoming trapped in her lies.
The horrifying true story of Ed Kemper, a cunning and sadistic serial killer shaped by childhood abuse, whose charm masked his grotesque obsession with murder, mutilation, and the ultimate act of revenge on his mother.
The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.
Azerbaijan. Yagub lives with his adult son Musa in a small house in a desolate place. They lead a solitary life. Musa, mentally disabled and limited in his motor skills, assists his father with his work. Yagub is a carpenter and earns his money especially with coffins, which he carpenters for Georgians and Russians. Whenever being confronted with the clumsiness of his son he often reacts indignantly – with beating. When Musa is diagnosed with a deadly illness, the emotional numbing of the father slowly dissolves as he tries to make the last days of his son as enjoyable as possible – until Sabir delivers a surprising message.
In November 1918, a few days before the Armistice, when Lieutenant Pradelle orders a senseless attack, he causes a useless disaster; but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same.
'Der Baader Meinhof Komplex' depicts the political turmoil in the period from 1967 to the bloody "Deutschen Herbst" in 1977. The movie approaches the events based on Stefan Aust's standard work on the Rote Armee Fraktion (RAF). The story centers on the leadership of the self named anti-fascist resistance to state violence: Andreas Baader, Ulrike Meinhof and Gudrun Ensslin.
When a prostitute is found dead in a Los Angeles skyscraper occupied by a large Japanese corporation, detectives John Connor and Web Smith are called in to investigate. Although Connor has previous experience working in Japan, cultural differences make their progress difficult until a security disc showing the murder turns up. Close scrutiny proves the disc has been doctored, and the detectives realize they're dealing with a cover-up as well.