Nangungupahan

Scales is a tense, claustrophobic drama that spends one evening with four characters, who are trapped in a combustable boiling pot of an apartment. American boxer, Darnell, his PR manager and girlfriend, Maria, troubled entrepreneur Adam and drug dealer Keith are forced to question their relationships and loyalties, as sinister secrets come to the fore, threatening dangerous consequences. Unsettling and unexpected, this dark tale of lies and manipulation will lead audiences on a voyeuristic and ill-fated journey that, like the four characters, their sensibility may not want to be a part of, but their curiosity certainly will, begging the question: 'How do you weigh trust?'

A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.

When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.

A police detective falls in love with the woman whose murder he's investigating.

Katie and Jake want to keep things platonic, too bad the teenage ghost haunting their new apartment has other plans!

Veteran Secret Service agent Frank Horrigan is a man haunted by his failure to save President Kennedy while serving protection detail in Dallas. Thirty years later, a man calling himself "Booth" threatens the life of the current President, forcing Horrigan to come back to protection detail to confront the ghosts from his past.

When Camille falls ill, she is forced to live with Philibert and Franck.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

Death in Arizona is a futuristic documentary of lost love and a tale of a dying civilization. It is an autobiographical portrayal of a man who returns to his lost love’s empty apartment in pursuit of answers. The distant voices of a tribe in Arizona that survived a meteorite strike make their way into the third story apartment of this obscure Bolivian city.

Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.

In this film based on a Neil Simon play, newlyweds Corie, a free spirit, and Paul Bratter, an uptight lawyer, share a sixth-floor apartment in Greenwich Village. Soon after their marriage, Corie tries to find a companion for mother, Ethel, who is now alone, and sets up Ethel with neighbor Victor. Inappropriate behavior on a double date causes conflict, and the young couple considers divorce.