Caixa D'Água: Qui-Lombo é Esse?

Based on the book of the same title by best-selling author Henry Buckton, this film is enhanced by a fascinating series of interviews with a wide variety of people who played a vital role in Britain’s ‘finest hour’. Included are the captivating accounts of six fighter pilots who risked their lives day after day to combat the Luftwaffe, which was at that time greatly more experienced in aerial warfare. Their memories are enhanced by the recollections of a gunner, two members of the 400,000-strong ground crew who kept as many aircraft flying as possible, a barrage balloon operator and men who helped to build Spitfires.

Buddhist monk and photographer Matthieu Picard as he returns to the Asian country in the Himalayas where he spent a decade after seven years away, revisiting breathtaking landscapes and experiencing local traditions.

Music documentary by director Rafael Marziano Tinoco from Venezuela

The film expresses the history of oppression, discrimination, violence and hate in America. It was nominated for an Academy Award for Best Documentary Short.

This documentary by filmmaker Brian Patrick explores the history and legacy of one of the most brutal massacres in the history of the American west. It examine the relationship between the descendants of the besieged party to the modern day Mormon church, and whether healing is a possibility.

This documentary delves deeper into the creation of the Hamilton musical, revealing Lin-Manuel Miranda's process of absorbing and then adapting Hamilton's epic story into ground-breaking musical theater.

A girl celebrates her 16th birthday with a Umhlonyane.

A relentless chronicle of the tragedy of the Uighurs, an ethnic minority of some eleven million people who live in the Xinjiang region of northwest China, speak a Turkic language and practice the Muslim religion. The Uighurs suffer brutal cultural and political oppression by Xin Jinping's tyrannical government: torture, disappearances, forced labor, re-education of children and adults, mass sterilizations, extensive surveillance and destruction of historical heritage.

For years, right-wing politicians and pundits have repeatedly criticized the left for playing “the race card” and “the woman card.” This new film turns the tables and takes dead aim at the right’s own longstanding – but rarely discussed – deployment of white-male identity politics in American presidential elections. Ranging from Richard Nixon’s tough-talking, law-and-order campaign in 1968 to Donald Trump’s hyper-macho revival of the same fear-based appeals in 2020, "The Man Card" shows how the right has mobilized dominant ideas about manhood and enacted a deliberate strategy to frame Democrats and liberals as soft, brand the Republican Party as the party of “real men,” and position conservatives as defenders of white male power and authority in the face of transformative demographic change and ongoing struggles for racial, gender, and sexual equality.

In 1898, a Minnesota farmer clearing trees from his field uprooted a large stone covered with mysterious runes that tell a story of land acquisition and murder. The stone allegedly dates back to 1362. Initially thought to be a hoax, new evidence suggests the find could be real, and a clue that the Knights Templar discovered America 100 years before Columbus, perhaps bringing with them history's greatest treasure... the Holy Grail. Follow the clues as experts use erosion studies on the rune stone and match symbols in Templar ruins all over Europe to support this theory. Stones with similar markings have been found on islands across the Atlantic Ocean, and in Massachusetts and Rhode Island. Is it possible the Knights Templar, long thought to have been massacred, escaped on an incredible journey and were leaving clues to the whereabouts of the stone?

At an altitude of 4500 meters, on the highest plateaus of Karnak in the Himalayan région of Ladakh, in a lunar setting where the sky blends with the mineral immensity, director Marianne Chaud filmed the movements of these last nomads. Immersed for months in their community, speaking their language, she placed her camera as close as possible to their voices and gestures, offering viewers encounters of a rare intimacy. As much as the splendor of the landscapes, the extreme harshness of the living conditions or the emotion shared with these nomads, it is this closeness that creates the magic of the film.