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Fugitive Hunters Mexico - (Feb 7th)
Dateline- Unforgettable - (Feb 7th)
Swamp People - (Feb 7th)
The One Show - (Feb 7th)
Gangland Chronicles - (Oct 1st)
The Eastern Gate - (Feb 7th)
Hells Kitchen - (Feb 7th)
The Vanished Elephant - (Feb 7th)
This Old House - (Feb 7th)
The Rachel Maddow Show - (Feb 7th)
Ask This Old House - (Feb 7th)
Impractical Jokers - (Feb 7th)
The Last Word with Lawrence ODonnell - (Feb 7th)
Shoresy - (Feb 7th)
NFL Icons - (Feb 7th)
Dexter- Original Sin - (Feb 7th)
Scamanda - (Feb 7th)
Southern Charm - (Feb 7th)
Southern Hospitality - (Feb 7th)
Georgie and Mandys First Marriage - (Feb 7th)
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
A documentary about the making the infamous art-house film 'Vase De Noces' ('Wedding Trough').
Narrator dreams of Madrid while being caught in a repetitive loop somewhere in Paris. He questions if his interlocutor is a real human being, as their dialogue, mostly built of citations, doesn't seem to be helping with breaking the loop.
His work illustrates people. Densha Tattoo reflects on craft, inspiration and the scene. — What is the essence of a human being? One stitch at a time. A portrait about the tattoo artist.
Constructing a solitary reality by imagining what life would be like after the passing of her parents, director Allison Chhorn's intricate docu-fiction chronicles her own process carrying on work in the family's titular 'plastic house'.
Spring comes every year and brings us hope for recovery and development. But time is inexorable and fleeting. Not for everyone will come next spring ...
Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.
