Dean Stockwell is on good form here, as the artistically talented "Paul" who lives with his miner father "Walter" (Trevor Howard) and mother (Wendy Hiller). When tragedy strikes their local mine, she is even more determined to ensure that this son does not go down the pit - and when "Hadlock" (Ernest Thesiger) offers him an opportunity to come to London and work - it looks like he might escape this dead-end existence. His dad, however, comes home drunk and he and his wife have an altercation that makes "Paul" stay put. Is he staying to protect her, or because he is really too afraid to cut the apron strings? Jack Cardiff really does lay the foundations for this story well; a good solid cast deliver a story with plenty of simultaneously running themes. The tightly-knit family with their individual demons, trapped in an economic bubble of low income, minimal opportunities, and other people's wives. Hiller is superbly understated as the inadvertently domineering, but well meaning matriarch and though Howard features but sparingly, his presence in each scene has purpose. The title is a bit misleading - one assumes it is a romance, or some sort of Jane Austen style of story; but D.H. Lawrence has imbued these characters with a plausibility that engenders sympathy, fury and frustration from the audience. Sixty years on, this is still a potent social commentary that many families and communities may well continue to relate to.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.
Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.
A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.