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Love conquers all... A Kiss Before Dying is directed by Gerd Oswald and adapted to screenplay by Lawrence Roman from the novel of the same name written by Ira Levin. It stars Robert Wagner, Joanne Woodward, Virginia Leith, Jeffrey Hunter and Mary Astor. A CinemaScope/De Luxe Color production, music is by Lionel Newman and cinematography by Lucien Ballard. Plot basically finds Wagner as a scheming pretty boy willing to commit murder in order to reach the riches of an inheritance. Story bubbles away nicely as Bud Corlis (Wagner) and Dorothy Kingship (Woodward), he sly and distant - she vulnerable and love struck, both hold court with performances of merit. The spiky edge comes by way of knowing what Bud is up to, and that poor Dorothy is completely oblivious, and when the key moment comes, it's shocking and really perches ones expectation levels to the edge of the seat. Sadly the second half of the movie doesn't quite live up to the promise of the first, for here the focus shifts from a twist into an investigation by Dorothy's sister, Ellen (Leith), who refuses to accept the official party line surrounding her sister. It's all very competently mounted, but the pervading sense of menace has dissipated and in place is just an average murder mystery. Wagner and Woodward are very good, Leith not so much, while Hunter as a pipe smoking professor is badly miscast and Astor is under used. Oswald's direction is fine, with some nifty long takes and some very cheeky visual jokes that only become apparent once story has run its course. Ballard's Scope photography is impressive, managing to make the bright colourful city surrounds always appear as threatening, and Newman's musical arrangements are indicative of the murder mystery splinter of 50s film noir. The themes at the core of the picture are daring and interesting, though more should have been made of the hinted at fact that Bud is a troubled war veteran. It's not all that it can be, the second half diluting the whole as it were, but this is still a tasty noir thriller worthy of catching. 7/10
Slick lawyer Thomas Farrell has made a career of defending mobsters in trials. It's not until he meets a lovely showgirl at a mob party that he realizes that there's more to life than winning trials. Farrell tries to quit the racket, but mob boss Rico Angelo threatens to hurt the showgirl if Farrell leaves him.
A repressed artist receives ritual abuse from those who pass him as he paints portraits in the park. Gradually becoming more frustrated, anger builds up within the artist, leading him to embark upon a quest to gain revenge on all those who have humiliated him.
On a quiet street in Helsinki, Sachie has opened a diner featuring rice balls. For a month she has no customers. Then, in short order, she has her first customer, meets Midori, a gangly Japanese tourist, and invites her to stay with her.
Pursued by the big-time gambler he robbed, John Muller assumes a new identity—with unfortunate results.
A young social climber wins the heart of a beautiful heiress but his former girlfriend's pregnancy stands in the way of his ambition.
An aging hood is about to go back to prison. Hoping to escape his fate, he supplies information on stolen guns to the feds, while simultaneously supplying arms to his bank robbing chums.
An insurance man wishing for a more exciting life becomes wrapped up in the affairs of an imprisoned embezzler, his model girlfriend, and a violent private investigator.
Rick Mason is the no-good lowdown rat who tries to capitalize on postwar patriotism and grief. He finagles a war widow into giving up her savings for a nonexistent memorial. When Mason falls in love with the widow he has pangs of conscience, but he reckons without his con-artist boss, who tends to bolster his arguments with muscle and bullets.
Detective Martin Beck investigates the grisly murder of a police Lieutenant in his hospital room, he soon realises the urgency of the case when it turns out the killer may hold a hatred for all policemen.
A man is accused of murder and manipulated into a web of deceit as his thought-to-be dead twin brother plots revenge on those who tried to kill him.
The main film character, an ordinary peasant Martyn Borylya, decided to get a noble order. Having chosen a little and primitive aim, in the chase of the artificial values, he loses everything.
