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This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.
SONG 1: Portrait of a lady (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 4: Three girls playing with a ball. Hand painted (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 6: The painted veil via moth-death (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 7: San Francisco (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 8: Sea creatures (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 10: Sitting around (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
