A Swedish Elephant

Every winter in a cemetery near Stockholm, activists gather to keep the memory of Fadime Sahindal alive. A Kurdish immigrant to Sweden who was murdered by her father in 2002, Fadime has become an international symbol of the debate over cultural traditions that accept the use of violence to control women's behaviour. In Crimes Without Honour, four extraordinary activists risk everything to publicly challenge these traditions and tell their own stories of physical and emotional violence. While they practice different faiths, hail from different parts of the world and have immigrated to different countries, all make it crystal clear that the justification for these crimes is an entrenched family power structure of male supremacy—one that crosses borders, cultures and religions. Raymonde Provencher has crafted a vital addition to a growing body of films about crimes related to patriarchal traditions of family honour.

At the height of the cold war a struggle broke out between Governments from all over the world as to which position to take about the system of apartheid in South Africa. Leading the fight was Olof Palmes' Swedish Government, which covertly funneled over US$ 1 billion to the resistance movement. This money was given without the knowledge of either the Parliament or the Swedish populace. At the center of the net in South Africa was a Swedish diplomat called Birgitta Karlström Dorph. Meanwhile at the UN the Swedes with their Scandinavian counterparts attempted to win the argument for economic sanctions. This led to bitter arguments which saw Palme leading the fight against the Reagan and Thatcher administrations.

In this promotional film in five parts, Greta points at the town of Malmö on a wall map.

A story about Europe´s largest terrestrial mammal and their potential return to Swedish forests. The audience also meets Rikard, the main caretaker of Avesta Visentpark and who shares his inner reflections and hopes regarding the future of the European bison.

Documentary by Stig Wesslén, commenced in 1942 and ended seven years later. Here he shows human and animal, and follows the nomadic life in an old culture.

Three miles north of Molkom, hidden deep in the lakeside forests of Sweden, lies Angsbacka; a 21st Century playground for adults. Once a year, their gates open to a thousand international participants, placed in 'Sharing Groups' at random. A Swedish celebrity, a Californian hippy, a Finnish grandmother and a back-packing Australian rugby coach, who stumbled on the wrong party, are amongst the group that take us on an unforgettably quirky, two-week emotional roller-coaster. Firewalking, Shamanism, Tantric Sex and myriad other physical, psychological and esoteric experiences, guide our unlikely heroes towards enlightenment, love, loathing and themselves. Will they ever be the same again?

Crackoholic , by Jonas Paulsson and Mikael Widerberg, is quite different to most other climbing movies. The style is somewhat similar to that of the classic Hard Grit, in that it provides a historical perspective to the climbing of the area. In this case Bohusln on the Swedish west coast. We also get to meet and listen to some of the climbers who, through the decades, have been important to the development, of difficulty as well as ethics, and hear their thoughts on climbing and risk. As would be expected, these thoughts range from profound to cliche. Of course, there's also a lot of climbing, from moderates to FA's of cutting edge "death" routes.

Josephine has all her life been told that her Peruvian aunt Augusta died in an armed struggle for the rights of the poor. As an adult Josefin decides to find out the truth about the legendary Augusta.

Recalls the day when Holocaust survivors took their first steps into freedom, unaware of their future. Every Face Has a Name puts a name on those nameless faces and lets them recount their feelings of that day, the 28th of April, 1945.