American Beauty

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Ezra Hickman, of Kankakee, is a political aspirant. At a reception in Washington with his wife and daughter Amy he meets the Ambassador of Selim Bey, the ruler of a small European kingdom, Vergania. The Ambassador, seeking an American girl for his ruler, paints a glowing picture of Vergania to Hickman's wife, with the result that she persuades her husband to accept the American Consulate at. Vergania. Amy, the daughter, is enamored of Lieutenant Brice of the U.S. Navy, and reluctantly she agrees to leave him and go with her family.

Directed by Max Urban.

Penniless aristocrat Yvonne Dupré ekes out a living selling her paintings to a crooked dealer, Leon Naisson, who passes them off as other more famous artists. Leon confides to his unscrupulous model Romildo, that he is attracted to Yvonne. Romildo drugs his lover, fiery Apache dancer Juliette who closely resembles Yvonne, then tries to extort money from Leon to have his way with her. Leon discovers the duplicity but convinces the artist's sweetheart, Dick Gray, that she has been unfaithful. As police close in on Leon, he frames Yvonne by planting forged paintings in her studio. Following Yvonne's arrest, Juliette is informed by her foster sister that she was stolen by gypsies as a child and is actually Yvonne's twin sister. Juliette exposes Leon's operation to the police, reuniting Yvonne and Dick.

Giulia, a Neapolitan girl, much against her will, becomes the mistress of a wealthy gangster. Her "protector" is stabbed to death by Giulia's hot-headed musician lover Tony (Francis McDonald), whereupon the heroine takes refuge in the villa of French playwright La Farge. Under La Farge's careful tutelage, Giulia develops into a famous actress, capturing the heart of the Duke De Chaumont. Though LaFarge himself has fallen in love with the girl, he does not stand in her way when she accepts the Duke's proposal. But Giulia has not reckoned with Tony, who is still crazy about her and still willing to kill any man who stands in his way. Tony murders LaFarge, then sets his sights on the Duke, intending to kill the poor fellow during the wedding ceremony. Hoping to save the Duke's life, Giulia pretends to have fallen out of love with him and returns to Tony.

Robert Bardon has searched for years for animal trainer Gamo who seduced and abandoned Brandon's daughter Gladys. Finding him at last he corners him in a room and exacts his revenge.

John Power is a hard-nosed financier who has neglected his domestic life and who tries to ruin the Wray family. But a revelation concerning a Wray family member sends Power into a climactic delirium in which he believes he is being judged by people in his life.

A band of crooks, headed by Harry Gribbon, are on a train when they learn of a telegram sent to a fellow passenger, who is a police commissioner. The wire identifies him as official collector for the Old Cops' Home. A little chloroform does for him and when the train pulls out of his destination he is still on board while Gribbon is posing as the commissioner-collector.

Hearts and Sparks is a 1916 American silent comedy film directed by Charles Parrott (Charley Chase) and starring Gloria Swanson. When Mack Sennett first saw Gloria Swanson, he felt that she would be right as a romantic lead for Bobby Vernon because they were both small in stature. This was their first film together and they proved to be a big hit with the public.

Baseball Madness is a 1917 American silent comedy film directed by Billy Mason and starring Gloria Swanson.