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Perhaps it was the “I feel like I’ve seen this before” factor, but ‘Blinded By The Light’ just didn’t resonate. It lacked the humour, the heart and the finesse of Chadha’s previous films, and therefore it falls short. - Jess Fenton Read Jess' full article... https://www.maketheswitch.com.au/article/review-blinded-by-the-light-the-spiritual-sequel-to-bend-it-like-beckham Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
The importance of representation isn't to speak exclusively to one crowd but to demonstrate that deep down, we all deal with the same issues and problems, regardless of ability, race, gender, religion or any of the other attributes that are used to divide us. This movie isn't just about a young boy discovering his identity as a British Pakistani Muslim, it goes beyond that and depicts a coming of age struggle between parent and child. Springsteen's soundtrack works as a baseline around Javid's transition from boy to man, through the pursuit of him achieving his dream, which beautifully represents mid 80's Britain as this bleak and hopeless space that is being held together with prayers and dreams of better tomorrows. My favourite part is the moment Springsteen's music is introduced, mirroring a similar reaction to mine, at a similar age to an unknown band, The Airborne Toxic Event, who were also greatly inspired by The Boss. Lyrics flash on screen while a storm brews outside, energy radiates from the screen while I'm on Fire rings in your ears. The magic of Cinema never felt more alive to me than it did in those few brief minutes. The final 30 minutes of the movie had me physically crying, an honour held by a select few, the most touching aspects were in relation to the cultural heritage of the characters and felt very close to home. Overall, this movie hits the spot if you're looking for a feelgood film to break up the week but please don't miss the opportunity to watch this in the cinema where you can truly experience the movie at its best.
A gentle, funny, story about a lad whose outlook on life is totally transformed after his pal introduces him to the music of Bruce Springsteen. Viveik Kalra is on engaging form as the young "Javed" as is Dean-Charles Chapman as his aggrieved mate "Matt" and the music serves as a memorable narrative for a coming-of-age tale set against a backdrop of racism, bigotry, hormones and angst. It reminded me of late 80's Britain when you did actually have to queue up in one of the many (now long gone) record stores to get your tickets for a concert - sometimes at 00:01 in the morning. Look out for "Peggy Carter" as his teacher.
Eden is a coming-of-age film about a Protestant Confirmation camp on a summer’s week, set in the archipelago of Helsinki. Aliisa is the intellectually confident non-believer, Jenna is the queen bee and Panu is the scared bird. The experience of these teenagers is affected by Tiina, a young and eager priest.
Married small-time crooks Lou-Jean and Clovis Poplin lose their baby to the state of Texas and resolve to do whatever it takes to get him back. Lou-Jean gets Clovis out of jail, and the two steal their son from his foster home, in addition to taking a highway patrolman hostage. As a massive dragnet starts to pursue them across Texas, the couple become unlikely folk heroes and even start to bond with the captive policeman.
Lyla and Louis, a singer and a musician, fall in love, but are soon compelled to separate. Lyla is forced to give up her newborn but unknown to her, he grows up to become a musical genius.
Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.
Three siblings who detest each other and hiking must complete together a pilgrimage to Santiago de Compostela in order to be eligible to inherit their mother's wealth.
A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12-year-old charges with her over-romanticized worldview.
A shared love of fish leads to a variety of romantic predicaments in this offbeat comedy from writer and director Doris Dörrie. Otto (Christian Ulmen) and Leo (Simon Verhoeven) are two men from Germany who have launched a successful business in which they import koi, the beautiful Japanese fish, for collectors in their native land. While on a business trip to Japan, Otto and Leo meet Ida (Alexandra Maria Lara), a German tourist who is studying fashion design. Ida begins traveling with the two men, and surprisingly develops an infatuation with the rumpled Otto instead of the handsome Leo. When Ida discovers she's pregnant with Otto's child, the two marry, and upon their return to Germany, Ida attempts to join in the business by creating a line of scarves decorated with koi patterns. However, the honeymoon proves short-lived, and Ida's presence creates a rift between Otto and Leo, as the latter sets up his own concern, raising koi with his new bride, Yoko (Young-Shin Kim).
Room 10 focuses on the life of a nurse who finds deeper meaning in her life after looking after a patient who is dying.
In revenge for her husband's infidelity, a young beautiful housewife, Mi-heun, starts an affair with an attractive young doctor, In-gyu. Despite her husband's efforts to regain her love and the disapproval by the conservative little town, Mi-huen gradually finds happiness and satisfaction in the affair and decides to turn her back on her quiet life.