A Night in the Show

Ever since Pedro confessed to his parents his sexual status, unable to remove it from the head, even he imagined his parents in the most embarrassing situations.

A man wakes up from a bad dream only to realize he is in yet another nightmare. The most worrying thing is that it does not seem to stop. If only these dreams could stop... getting shorter and shorter!

Juliet Forrest is convinced that the reported death of her father in a mountain car crash was no accident. Her father was a prominent cheese scientist working on a secret recipe. To prove it was murder, she enlists the services of private eye Rigby Reardon. He finds a slip of paper containing a list of people who are 'The Friends and Enemies of Carlotta'.

A hymn to life and a tribute "to those who left" in this difficult year are the messages that the company Campofrío launches in its traditional Christmas advertisement, which stars Quique San Francisco and Silvia Abril, among others, and is directed by Daniel Sánchez Arévalo and Paco Plaza. D.E.V ("Enjoy life") are the initials of Campofrío's 2020 Christmas campaign, a hymn to life in the form of a tribute to those who left and to "all those who continue trying every day to enjoy the gift of life", as the ad itself shows in its final part.

On the run and in search of help, two wounded gangsters find refuge in the secluded castle of a feeble man and his wife; however, under the point of a gun, nothing is what it seems.

A displaced black queer boy finds refuge in his city's underground Kiki Ballroom scene.

An unknown couple in the same bed

Honey Skinner is proud of her successful husband. When he tells her he's going to ask for a raise, she knows he'll get it. He asks his boss just as their big client announces he's not renewing his contract. He doesn't get the raise, but he's too embarrassed to tell his wife the truth. She starts making plans to spend that extra $10 a week; the first thing is a new dress suit for him and a new outfit for her so they can fit in at a swanky party. They're the hit of the party, and Honey is embraced by the 'smart set.' Meanwhile, business is bad and Skinner loses his job. The tailor is after him for payment on the suit, and Honey is still spending the salary he doesn't have.

A businessman goes home early to surprise his family and is treated with suspicion, mostly by his wife's bridge club.

This is the first Oswald cartoon to be directed by Walter Lantz who would later produce the Oswald shorts after George Winkler and Charles Mintz (the producers) were fired.