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Abigail (Christina Ricci) is a single mother of two who becomes pregnant after a one-night stand with Ben (Hamish Linklater). She's mature and down to earth; he suffers from Peter Pan syndrome and tends to put his foot in his mouth (trying to talk her into getting an abortion: “no one is going to want someone your age with three children”). In spite of his reaction, Abigail has sex with Ben again the same night she breaks the news to him; perhaps she thought she wasn't going to get any more pregnant than she already was. The next morning Ben decides that he not only wants to keep the baby but also attempt a relationship with her and her previous children – but this is more a whim than a well-thought-out decision; nearing 40, Ben thinks finally settling down is what he wants, or at least what he's supposed to want. At the same time, he sends Abigail mixed signals, to some extent paving the way for his eventual flight. Both engage in a vicious circle wherein she lowers her guard, and he lets her down; he returns with his tail between his legs, and she forgives him and takes him back. Ricci remains as capable and effective as she was when she debuted 30 years ago, and 10TWSDBWBU is a worthy addition to her eclectic filmography. That said, it's Linklater who elevates his game to a whole new level; his acting is so subtle you don't fully realize everything that's bubbling under the surface while watching the film – it's only as I write this that I reflect on the nuances of his performance. Ben could very well be a sociopath (and I think one character actually hints at that possibility). His boyish charm and rakish demeanor easily ingratiate him with Abigail and her family, and his immaturity and inexperience are the perfect excuse for his blunders – all the while underhandedly using Abigail's pregnancy, especially the deadline for an abortion, as some kind of ever-present ultimatum, to manipulate her. Writer/director Galt Niederhoffer doesn't expect us to like or dislike Ben; he leaves a small margin of ambiguity, enough for us to exercise our own judgment (though Linklater can convincingly turn the insanity all the way to 11, as he does in the Amazon Prime series Tell Me Your Secrets – another showcase for his mastery of the slow burn). Finally, 10TWSDBWBU (movies about lists are invariably bad, but in this case the title is misleading) is honest about what happens after happily ever after, and that alone makes it worth watching.
Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.
Zodiac Crush is a captivating reality TV movie that explores the fascinating world of astrology and numerology in the context of dating. The movie centers around a star bachelorette who is on a quest to find her soulmate, and she does so by dating five guys, each representing a unique star sign and life path number. Throughout the movie, the bachelorette goes on a series of dates and engaging challenges with her suitors, and viewers get to witness the highs and lows of each encounter. Along the way, the bachelorette receives expert guidance and predictions from astrology and numerology experts, Mike Anthony and Rachel Black, who help her navigate the complexities of compatibility based on star signs and numerology.
A comedy-drama about vamps, villains, and foreclosure on the Hornsby Farm. In color.
A mute female dancer who wows audiences in club competitions but can't get Broadway jobs because of her handicap, develops a "voice" when a young scientist invents a device that allows her to make music via her dance movements.
When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.
Still reeling from his breakup with college sweetheart Allison, Adam's world is thrown into further chaos when he’s surprisingly invited to attend her upcoming wedding. Returning home for the festivities, Adam must confront unresolved feelings while trying to convince himself and everyone else that he is truly happy for her.
Dr. Tony Flagg's friend Steven has problems in the relationship with his fiancée Amanda, so he persuades her to visit Tony. After some minor misunderstandings, she falls in love with him. When he tries to use hypnosis to strengthen her feelings for Steven, things get complicated.
Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that's fine with her. But, when Peter's father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle - and Peter isn't all that thrilled with the arrangement, either.
In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.
