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Well you have to hand it to Pier Paolo Pasolini - he had one hell of an imagination. Here he devises a story of a group of nine young men and women who are apprehended by four powerful Fascist officials and held captive for use in some of the most degrading and painful games of sex, humiliation and abuse. I was warned not to eat chocolate before I saw this, and towards the end of this bizarre depiction of cruelty, depravity and exploitation it became quite clear why - and I'd reiterate that here. There is something profoundly desperate about the film. It has nothing even vaguely redeeming about it. Is it allegorical? Perhaps Pasolini is swiping at what he perceived to be the beginning of the disposable culture? Perhaps the illustration of mankind at it's more obscene offers us his perspective on just what humanity had become by the mid 1970s? In any case, this is frankly rather a disgusting film to watch and though I did feel the ending had a great deal of suitable retribution to it, I still struggled to quite get my head around this epitome of man's inhumanity to their own kind. I doubt I shall ever watch it again, but it packed out the cinema in which I watched it and there was plenty of provocative conversation in the bar about it afterwards...
Wow! You can't escape the fact that this movie pushes the limits of disturbing art! Many will call it sick. I suspect the point of this film is more about the depravity and dehumanization of fascism, political corruption, totalitarianism, and morality. I have not read the Marquis de Sade's work on which this film was based. **It isn't possible to "un-see" a film, so be prepared if you choose the experience.** It was described to me as "horror" before I watched it, and I'm not sure it truly captures the film's genre. I can't think of a film genre that adequately describes it. I will probably never watch it again or forget the images it seared on my brain. But I was challenged to think about various political and societal themes that are still very relevant today.
When Scott and Teresa LeRette learn that their son Austin is both autistic and has brittle bone disease, they initially worry for their son’s future. But with Scott’s growing faith and Austin’s incredible spirit, they become 'unbreakable', finding joy, gratitude, and courage even in the most trying times.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
Two men share an odd friendship while they care for two women who are both in deep comas.
Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
Based on Michel Houellebecq's controversial novel, Atomised (aka The Elementary Particles) focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a hippie mother only caring for her affairs, Michael, a molecular biologist, is more interested in genes than women, while Bruno is obsessed with his sexual desires, but mostly finds his satisfaction with prostitutes. But Bruno's life changes when he gets to know the experienced Christiane. In the meantime, Michael meets Annabelle, the love of his youth, again.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.