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Before watching this film, I had absolutely no idea who Basil Brown (Ralph Fiennes), Edith Pretty (Carey Mulligan), or even Peggy Piggott (Lily James) were and what they did. As an engineer and a science enthusiast myself, I rarely struggle to find some sort of enjoyment in movies based on true stories about scientific discoveries, technological advancements, or impactful historical events. Therefore, despite a premise that doesn't immediately catch my attention, Simon Stone does a wonderful job in making this film quite interesting. Mike Eley's cinematography produces some of the most gorgeous shots of the year, transforming The Dig into a visually satisfying movie to look at. The main narrative focuses on the excavation itself and the findings of a shockingly old (Anglo-Saxon) ship, which turns out to be more captivating than I ever anticipated. However, the romantic subplot involving Peggy Piggott feels out-of-place and rather dull considering the objective of this film. It really hurts the overall pacing, dragging an otherwise well-balanced flick. Moira Buffini's already excellent screenplay is still elevated by the remarkable cast. Fiennes (Harry Potter) and Mulligan (Promising Young Woman) share a heartwarming chemistry that really suits their characters. Lily James (Rebecca) also demonstrates her impressive emotional range once again. Overall, I recommend it to any viewer who's interested in knowing more about the real-life story or who's simply a fan of this specific genre. Rating: B
The Dig reminded me of another movie about archaeology and which was not only also based on a true story but also involved a woman’s contribution to that scientific field. That other movie was Ammonite, about a woman archaeologist in a time when women were more than rare in that field of endeavor. Unlike that character, however, Edith Pretty in The Dig does not do the work herself. Instead, her interest in archaeology and curiosity about the mounds on her property leads her to hire Basil Brown, a self-trained archaeologist, or “excavator,” as he refers to himself in the film. I enjoyed the movie despite —or perhaps even because of its relaxed pace and subdued action. If you are sleepy but decide to watch a movie instead, you may want to save this foils for a more alert viewing. As with most biopics and other films based on true events, changes have been made to spice up the telling. Apparently some of them occurred first in the novel it is based on. For example, because some sort of “bad guy” is required for most movies, the British Museum seems to be depicted in a slightly more adversarial role than what was the case. Also, because a romance didn’t occur between the main characters, a romance was invented between two of the supporting characters. And of course actress Carrie Mulligan was 20 years younger than Edith Pretty was at that time, but they do use makeup to age her somewhat. Changes like this are to be expected. The result is a movie that is both entertaining and, dare I say it, a little educational all at once.
Torrey Pines is a stop-motion animated feature film by director Clyde Petersen. Based on a true story, the film is a queer punk coming-of-age tale, taking place in Southern California in the early 1990's. Raised by a schizophrenic single mother, Petersen's life story unfolds in a series of baffling and hallucinated events. With a mother fueled by hallucinations of political conspiracy and family dysfunction, twelve-year-old Petersen is taken on a cross-country adventure that will forever alter the family as they know it.
The little witch is only 127 years old – too young for the annual coven of witches. Although she is not yet old enough to be a real witch she wants to become a really good one. This decision causes trouble inside her magic world.
Spain, 1982. Andrés Expósito, a young police inspector, accepts a posting in Denia, a small town on the Mediterranean coast, in the hope of leading a quieter life and that the natural environment will help improve the fragile health of his daughter; but once in his new post he becomes involved by chance in the investigation of the strange death of the inspector he has come to replace.
An Jung-geun fights for Korea's independence from the Japanese Empire and sparks a movement. In 1909, he assassinates Itō Hirobumi, the first prime minister of Japan and resident-general of Korea.
After 8-year-old So-won narrowly survives a brutal sexual assault, her family labors to help her heal while coping with their own rage and grief.
It sets in China 1945, a romance develops between the young Ningjing ZHAO (Xun Zhou) and LIN Shuang-Ran, although they are distant cousins and Shuang-Ran is already betrothed. Each will seek to fight against there destiny to try to live each their romantic feelings.
Gilbert Grape is a small-town young man with a lot of responsibility. Chief among his concerns are his mother, who is so overweight that she can't leave the house, and his mentally impaired younger brother, Arnie, who has a knack for finding trouble. Settled into a job at a grocery store and an ongoing affair with local woman Betty Carver, Gilbert finally has his life shaken up by the free-spirited Becky.
An arrogant, high-powered attorney takes on the case of a poor altar boy found running away from the scene of the grisly murder of the bishop who has taken him in. The case gets a lot more complex when the accused reveals that there may or may not have been a third person in the room.
The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume and Veronique, form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.