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I like David Ayer. Based on interviews and his social media postings, seems like a cool guy. As a filmmaker, he's hit or miss ranging from some really solid action-thrillers like U-571, End of Watch and Fury to the poorly made flicks such as Sabotage (though has its moments) and Suicide Squad (which I've soured on over the years). His latest, the second one straight-to-streaming following Bright, is The Tax Collector, seemingly aspiring to be some sort of modern day Godfather. The editing here is rather bad, acting was mixed with Shia LaBeouf shining brightest to the point I wish the movie was about his character while Bobby Soto has some okay scenes but in the lead, never quite works. And the writing, also by Ayer, was shoddy (shows Training Day was all about Washington's performance than the story or dialogue). I wanted to really like this film. It had potential and starts off well enough, but after meandering for the first hour or so, doesn't really get off the ground once a story actually kicks in. By the end, despite trying to have some emotional scenes, and a finale that was supposed to be kick ass, never could rebound from all of the other shortcomings. **2.5/5**
The Tax Collector is the second-best David Ayer-directed film (the best remains End of Watch), but it's far from the best David Ayers-penned movie – though to be fair, that includes Training Day and Dark Blue, as well as the aforementioned End of Watch. The script can be nicely subtle, especially when it comes to the character of Creeper (Shia LaBeouf putting his natural weirdness to good use); he's always impeccably dressed in a suit and tie, but his cauliflower ears are a dead giveaway – here's someone who can take punishment as well as dish it out. This is great stuff, but at some point you gotta put your money where your mouth is, and that's where the character shortchange us. Much is made of how Creeper has maimed, tortured, and murdered hundreds of people, but in the course of the film he only fires his gun once, and then in self-defense; on the other hand, he's given a martyr's death, but I'm not sure whether we're supposed to feel bad for him or not. If all that's said of him is true, he has it coming to him; if not, we've been fed a line of bullsh*t. Having said that, the script can also be painfully unsubtle, in particular when it's trying to convince us that the protagonist, David Cuevas (Bobby Soto), is a Killer with a Heart of Gold (talk about a crock of sh*t) – a family man who prays before every meal and advises Creeper to accept Christ in his heart, as opposed to antagonist Conejo (José Martín), who engages in human sacrifices and voodoo rituals. That's pretty black-and-white, when it should be shades-of-gray; in other words, The Tax Collector's problem is that it insists on splitting its characters into 'bad guys' and 'good guys' when 'bad guys' and 'worse guys' would be a more accurate division.
In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.
A family living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come.
The story of the Buckman family and friends, attempting to bring up their children. They suffer/enjoy all the events that occur: estranged relatives, the 'black sheep' of the family, the eccentrics, the skeletons in the closet, and the rebellious teenagers.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
When a childless couple-an ex-con and an ex-cop-decide to help themselves to one of another family's quintuplets, their lives become more complicated than they anticipated.
A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
Trisha, a Filipino transgender woman, suddenly dies while being crowned in a beauty pageant. Her last wish was to be presented as a different celebrity on each night of her wake, but her conservative father wants to bury her as a man.
A straightforward man, who uses violence to settle disputes, decides to mend his ways for the sake of his lover, but when he learns that her family is in danger, he decides to save them at all cost.
A weathered Sheriff returns to the remains of an accident he has spent a lifetime trying to forget. With each step forward, the memories come flooding back. Faced with his mistake once again, he must find the strength to carry on.
