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The year: 1948. Magic is everywhere, the hallmark of progress. Hardboiled gumshoe Philip Lovecraft is a PI for hire, but his latest case, a search for a missing book called “The Necronomicon,” leads him down darker alleys than he’s ever traversed before, filled with black magic and hideous creatures intent on doing him harm. Charged with protecting a virtuous dame, finding a magical tome, and unravelling a murderous mystery, Lovecraft will have only his wits, his fists, and a trusty pistol to come out alive. And in this world, coming out undead is a distinct possibility… Supernoirtural would be the perfect word for this film. Cast a Deadly Spell is a fascinating anomaly, a rare treat and a helluva fun ride. It was made for HBO in 1991, directed by Martin Campbell (GoldenEye, Casino Royale, The Mask of Zorro) and starring Fred Ward (as Lovecraft), Clancy Brown, David Warner, and Julianne Moore as Lovecraft’s ex-lover and current gun moll, Connie Stone. And since it’s inexplicably never been released on DVD, it’s never seen the audience that it deserves. This is a pitch-perfect blend of film noir, droll comedy, and Lovecraftian horror. The script (by Joseph Dougherty) is smart, funny without being silly, and filled with perfectly-placed nods to H.P. Lovecraft’s oeuvre. Fred Ward is fantastic as the gruff, acerbic detective, turning in one of the best modern-day performances of a noir PI. He has great fun with the über-noir dialogue. Case in point: > Hackshaw: You don’t believe in magic? > Lovecraft: I believe it, just don’t use it. > Hackshaw: Why? > Lovecraft: Personal reasons. > Hackshaw: And they are? > Lovecraft: Personal. or > Olivia: That’s quite a tie. > Lovecraft: Oh, thanks. > Olivia: Did it put up much of a fight? > Lovecraft: No, I snuck up behind it. Clancy Brown makes a magnificent gangster heavy, Julianne Moore would fit perfectly alongside Barbara Stanwyck as a classic noir dame, and David Warner is in prime form. Director Campbell fully embraces the tale’s pulpy roots and directs with the most stylish flair I’ve seen out of him; it’s almost as though he filmed it in the style of the old Roger Corman shlock films, with exaggerated shots and colors cranked up to 11. The performances ground the film and the direction gives it more class than its origins as a cheap made-for-cable movie should warrant. It’s a heady, exuberant pairing. With the talent both behind and in front of the camera for this made-for-TV flick, it’s incredible that it’s never seen a DVD release. It managed an ugly VHS transfer (and, thanks to the internet, a rather cruddy but serviceable copy can be downloaded) but it’s high time for HBO to release this gem on home video. Two-fisted, brawny action, horror-tinged, a tad campy (in all the right ways)…this is a magnificently fun film that needs to seen. Highest recommendation.
I guess the sequel to this is Witch Hunt, which I loved, and saw BEFORE Cast a Deadly Spell. It doesn't much matter only instead of the guy Dennis Hopper, you got Fred Ward, who is probably known to everyone as either "That guy from the Right Stuff" or "Remo Williams." And I grew up in a life surrounded by pulp trash novels. Westerns, mysteries, just dime novels that most people don't proudly display on a book shelf, but were more or less everywhere in my childhood home. There was always one laying around to pick up and devour. So when Cast A Deadly Spell and Witch Hunt hit my radar, they became insta-classics. Sam Spade set in a world of magic. Hard Boiled Detective trash novels meets HP Lovecraft horror trash novels... the perfect merging. Pure pulp entertainment. And ultimately chock full of references to both genres that only a family that loves it's trash can really appreciate. I'm kind of upset there wasn't a third film.
A pair of immature detectives are joined by a pesky assistant district attorney in staking out a lakeside home where an important Mafia trial witness is believed to be heading.
When Ashtray moves to South Central L.A. to live with his father (who appears to be the same age he is) and grandmother (who likes to talk tough and smoke reefer), he falls in with his gang-banging cousin Loc Dog, who along with the requisite pistols and Uzi carries a thermo-nuclear warhead for self-defense. Will Ashtray be able to keep living the straight life?
A street-wise kid, Mark Sway, sees the suicide of Jerome Clifford, a prominent Louisiana lawyer, whose current client is Barry 'The Blade' Muldano, a Mafia hit-man. Before Jerome shoots himself, he tells Mark where the body of a Senator is buried. Clifford shoots himself and Mark is found at the scene, and both the FBI and the Mafia quickly realize that Mark probably knows more than he says.
A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady when the peddler learns her daughter is marrying royalty.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
Maurice and Dave sell high-end cuts of beef, but after hitting a patch of no sales, they're facing being fired. Maurice needs money to enroll in his final semester of acupuncture school, and the recently-separated Dave needs money for his daughter's birthday gift. Their final client card—a beautiful woman—is attracted to Maurice, but a desperate call from a suicidal friend interrupts her signing the contract. Still hoping to close the sale, they offer to drive her to the friend's house—where their troubles multiply.
Harry Crumb is a bumbling and inept private investigator who is hired to solve the kidnapping of a young heiress which he's not expected to solve because his employer is the mastermind behind the kidnapping.
Two mismatched buddies are mistaken for mob enforcers in Depression-era America.