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**_“Vampires? We don’t need no stinkin’ vampires”_** In 1880 Carlstadt, Düsseldorf, a doctor (Vincent Ball) is sentenced to life-in-prison for malpractice in performing an emergency blood transfusion, which had never been done successfully. Instead of being sent to the prescribed penal island, he’s curiously transferred to a prison for the criminally insane where the director (Donald Wolfit) wants him to perform blood-typing research for some unknown reason. "Blood of the Vampire" (1958) was obviously inspired by the success of Hammer's “The Curse of Frankenstein” because the producers hired the same scriptwriter, Jimmy Sangster, and it includes elements of both that flick and “The Horror of Dracula,” which started filming shortly after this one. While it lacks Christopher Lee and Peter Cushing, it’s on par production-wise and certainly different enough to stand on its own. It's worth seeing just for the beautiful Barbara Shelley, who plays the doctor’s fiancée and was only 25 during shooting. She went on to appear in Hammer Films’ “The Gorgon,” “Dracula, Prince of Darkness,” “Rasputin: The Mad Monk” and “Five Million Years to Earth,” aka “Quatermass and the Pit.” Victor Maddern is effective as the Quasimodo-like assistant, Carl. The extensive make-up he had to wear gave him a headache. The milieu of the grim, grimy and hellish prison hospital no doubt inspired “Frankenstein and the Monster from Hell” sixteen years later. The movie runs 1 hour, 26 minutes, and was shot at Alliance Film Studios Twickenham, southwest of London. GRADE: B-
Peter Parker is going through a major identity crisis. Burned out from being Spider-Man, he decides to shelve his superhero alter ego, which leaves the city suffering in the wake of carnage left by the evil Doc Ock. In the meantime, Parker still can't act on his feelings for Mary Jane Watson, a girl he's loved since childhood. A certain anger begins to brew in his best friend Harry Osborn as well...
A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
People in the future live in a totalitarian society. A technician named THX 1138 lives a mundane life between work and taking a controlled consumption of drugs that the government uses to make puppets out of people. As THX is without drugs for the first time he has feelings for a woman and they start a secret relationship.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind. The plan turns sour when the criminal wakes up prematurely and seeks revenge.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
In the dark realms of an ancient vampire coven, amidst the corridors of a prestigious college, four remarkable individuals find themselves entangled in a forbidden romance that will defy all odds.
Count Dracula, taking on the new identity of Vladimir, leaves Transylvania and goes to Brazil in search of his son Rafael. This vampire romance was conceived to be a potential telenovela, but only ended up running as a TV miniseries with four installments because the network that financed it went under.
Two rival gang leaders kill each other in a shootout and end up in hell where they must team up to escape back to the overworld so they can engage in lame comedy while trying to help the woman they attempted to rape get married.
Stolen by crusaders on the night of his birth, Radu (Anders Hove) has no knowledge of his bloodline: his mother is a demon; his father is a vampire. Trained and exploited by a brotherhood of mystic monks to slay all enemies of the church, fate brings him back one night to the castle of his father, armed with the monster-slaying Sword of Laertes, to destroy the vampire Vladislas and reclaim a holy relic: The Bloodstone. The events of that night turn Radu from a noble man into a vampire with no master, setting him on a centuries-long quest for sustenance, and companionship, for the treacherous one who stole him from the sun, and for the Bloodstone he hopes will bring him peace.