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Okay, so first off I had no idea this was a Christian film before I watched it, I thought I was watching a low budget indie psychological thriller, instead I got this terrible piece of crap. I don't follow a religion, I can handle religious movies so long as they don't preach too much. This one did, but this is not why I'm giving it such a low rating. It earns it's low rating by failing on almost every technical, logical and entertainment level. Honestly there is so much to hassle about this movie I don't really know where to start. Despite tonnes of forced exposition the plot makes little to no sense. Characters do and say things for no reason, apart from faith, or an evil lack thereof. Essentially a father and son run and hide from an evil faithless government official who is about as threatening as a box of tissues. They encounter people with faith who help them, or people without faith who hinder them. There is no subtlety, christians are good, everyone else is bad. Every single character is a cliche you have seen somewhere else in a better film. There are no stakes, no tension, because god will intervene whenever anything bad happens. The film is poorly shot, long tracking shots are juddery and jumpy because they don't have the equipment to properly film them. The old hiding behind a log when the soldier would clearly be able to see you pops up all to often. A sniper who can hit someone in the head in a moving vehicle, through the windshield front on, can't hit the passengers in the car because he's to the left of the vehicle. Yet somehow I guess the devil curved his bullet to go round to the front of the car to hit the driver? Sure, makes as much sense as the rest of the film. Dialogue is forced and cheesy, badly delivered by people who really want to do a good job, but just don't have the skills to pull it off. One of the most annoying aspects of the film, is Embry Johnson as Caleb. The dude is going through puberty, and his voice sounds like the acne covered nervous teen from The Simpsons who's voice is permanently breaking. He is so distracting and awful sounding, and can't act to boot. Just wait a few months for his voice to settle, or cast someone else. Every line he utters is fingernails down a blackboard. This film is an utter waste of time, totally garbage, and I watched the whole goddamn thing because I'm stubborn. I'm now angry having thought about this film this much!
During the end of the world, two best friends walk around their city, talking about their sex lives, and one of them reveals they are still a virgin.
Jason, an American lawyer, poses as a john to build a legal case against a pimp trafficking girls to Bangkok. Can he win the trust of a young prostitute known only as Number 18 and convince her to risk her life to testify against her pimp?
Three activists cobble together a kidnapping plot after they encounter a businessman in his home.
On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter will each become part of a dazzling multiplicity of plots, but one story.
Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned, a man who believes Zissou to be his father, and Jane, a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou's past, including his estranged wife, Eleanor.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
Headstrong yet aimless, Will Hunting has a genius-level IQ but chooses to work as a janitor at MIT. When he secretly solves highly difficult graduate-level math problems, his talents are discovered by Professor Gerald Lambeau, who decides to help the misguided youth reach his potential. When Will is arrested for attacking a police officer, Professor Lambeau makes a deal to get leniency for him if he gets court-ordered therapy. Eventually, therapist Dr. Sean Maguire helps Will confront the demons that are holding him back.
After receiving a text from his father, Axl, a grief-stricken guy must return to his province to resolve what remains after his mother's death, causing him to descend into the depths of his past.
Hell and Mr. Fudge is an 2012 American drama film directed by Jeff Wood and written by Brian Phillip Stoddard. Based on a true story, the film stars Mackenzie Astin as Edward Fudge, an Alabama preacher who has been hired to determine the existence of hell.
