The Tempest

Marion and Jack try to rekindle their relationship with a visit to Paris, home of Marion's parents — and several of her ex-boyfriends.

Take The Bridge is a 2007 independent film from Sergio M. Castilla about four young adults who all try to commit suicide on the same day and how they meet up and become friends. The film Premiering at the 2007 Tribeca Film Festival.

In 1964, Richard Burton, newly married to Elizabeth Taylor, is to play the title role in an experimental new Broadway production of Hamlet under Sir John Gielgud’s exacting direction. But as rehearsals progress, two ages of theatre collide and the collaboration between actor and director soon threatens to unravel.

Documentary featuring a cavalcade of Northern comedy stars including the great Frank Randle, George Formby, Arthur Askey, Norman Evans and many more. The North of England has always enjoyed its own very particular brand of comedy, best seen today in Coronation Street. 80 years ago however Mancunian Studios produced feature films for the northern masses. Funny Up North tells the story of the Mancunian Studios, its eccentric owner John E Blakeley and its cavalcade of stars including such household names as Arthur Askey, Jimmy Jewell, George Formby and the legendary Frank Randle. Hosted by Professor Chris Lee, the authority on northern cinema, Funny Up North takes you on a journey from its humble beginnings to its sad demise in the 1960s.

Two sisters and their male counterparts struggle with the negative influences of their youths over a 50-year period.

The earliest British televised production in existence of the play Othello, with black American actor, Gordon Heath, in the title role. This was the first televised version of the play to feature a black actor in the title role. Gordon Heath, an American, came to Britain in 1947 and was cast by Kenneth Tynan to play Othello in his 1950 Arts Council production. The play takes place in Venice and Cyprus and the original production was part-live, with recorded Venice sequences

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

This film originated as a play in Paris. The story focuses on the one-day adventures of Bertrand Barnier played with a genius of French cinema, Louis de Funes. In the same morning he learns that his daughter is pregnant, an employee stole a large amount of money from his company, his maid is about to resign in order to marry a wealthy neighbor and his body builder is interested in marrying his daughter. The seemingly complicated story-line is full of comedy or errors and some of the most hilarious mime scenes of the French cinema.

Break-dance trash musical comedy/parody based on William Shakespeare's Romeo & Juliet.

Good natured comic caper charting the misadventures of a hapless bunch of Brighton based petty crooks dogged with disaster at every turn.

The Falklands/Malvinas War has proved a powerful motif in contemporary Argentine film-making and Ramiro Longo's new documentary offers a unique take on the conflict and its pervasive legacy. While Argentina suffered 649 casualties during the War, subsequently over 350 ex-servicemen have committed suicide while attempting to come to terms with civilian life in the aftermath of the 1982 defeat. Longo's film is structured around an extended interview with War veteran Sergio Delgado who provides a moving testimony on the conflict and the ways in which it has subsequently haunted his life and aspirations. As much an insider's view of the conflict as a tale of the legacy of trauma, Not Really Ours offers a reflection on memory, fear and the shaping of a nation's psyche. Longo's deft editing juxtaposes telling footage alongside Delgado's story. The result is both a moving tapestry of war and its scars and a telling reflection on the ways in which official history is constructed.