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The Many Saints of Newark is The Sopranos meets The Godfather Part II, and the result is so much less than the sum of its parts. Do we really need to know that Tony Soprano was once a chubby brat? Moreover, do we really want to know that that chubby brat grew up to be Michael Gandolfini? Michael would certainly be a chip off the old block, if his father had been Oswald Cobblepot instead of Jim Gandolfini. This is truly a case of the apple falling a million miles away from the tree, but then pretty much everyone here falls short of the original actors/characters (I was never really a fan of the TV show, and even I would rather watch that instead). Livia, Junior, Janice, Paulie Walnuts, Silvio Dante, Big Pussy; Soprano diehards will recognize all of these and several other names , but not much else. The only connection to the HBO series is Michael Imperioli, and even then it's just his voice used as little more than en excuse for some lame retrospective dramatic irony. When he sees Tony for the first time, baby Christopher starts crying his eyes out; someone takes the opportunity to randomly comment that “Some babies, when they come into the world, know all kinds of things from the other side”. So baby Chris could somehow sense that uncle Tony was going to eventually murder him in cold blood? And if so, a fat lot of good that prescience did him. As for the audience, we (even casual viewers like myself) remember very well that Tony Soprano strangled Christopher Moltisanti (which means 'many saints', hence the title of the film), because it’s practically the first thing that Imperioli tells us in the opening narration (to paraphrase Borges, saying something too much is almost as bad as not saying it). Writers David Chase and Lawrence Konner and director Alan Taylor even manage to ruin the only good thing about this piece of crap movie; i.e., the late, great Ray Liotta, who must have been paid very good money — and completely deserved it for appearing in this debacle — because the filmmakers kill off his character half an hour into the movie, just to introduce his identical twin (and I mean identical to a T; how many pairs of twins are still getting exactly the same haircuts in their late 60s?). Someone at New Line must have thought that Liotta was overpaid and demanded that the actor pulled double duty; how else to explain this farcical turn of events?
Two brothers cannot overcome their opposite perceptions of life. One brother sees and feels bad in everyone and everything, subsequently he is violent, antisocial and unable to appreciate or enjoy the good things which his brother desperately tries to point out to him.
A mysterious woman recruits bank teller Ludwig Dieter to lead a group of aspiring thieves on a top-secret heist during the early stages of the zombie apocalypse.
Five friends are released from prison and do their best to stay out trouble. While trying to mind their own business (and run their 5-Star Cleaning Service), they are caught up in a war between rival Triad gangs fighting for control of the counterfeit currency market.
An usherette in a theatre, where a distinguished and popular actor performs, gets her big break when the leading actress has an accident. The director decides to take advantage of the heretofore unexploited talent of the girl and asks her to replace the leading actress. This unexpected opportunity transforms her from a humble usherette into a shining star. Later on, she wins the heart of the leading actor with whom she was secretly in love. However, her sudden rise to theatrical-musical stardom creates complications in their love affair, as her companion sinks into disappointment and drowns himself in drink, abandoning his career. Nevertheless, the usherette/leading actress doesn't give up; She looks for him, finds him and supports him, psychologically and morally, until he makes a comeback to the stage and their love nest.
The divergent lives of twin brothers, Raúl, a violent policeman, and Valentín, a mentally handicapped man, cross paths again when the former decides to visit his family.
John Smith is a mysterious stranger who is drawn into a vicious war between two Prohibition-era gangs. In a dangerous game, he switches allegiances from one to another, offering his services to the highest bidder. As the death toll mounts, Smith takes the law into his own hands in a deadly race to stay alive.
In ancient Egypt, peasant Mathayus is hired to exact revenge on the powerful Memnon and the sorceress Cassandra, who are ready to overtake Balthazar's village. Amid betrayals, thieves, abductions and more, Mathayus strives to bring justice to his complicated world.
An FBI undercover agent infiltrates the mob and identifies more with the mafia life at the expense of his regular one.
In 1960, a hardy group of prep school students boards an old-fashioned sailing ship. With Capt. Christopher Sheldon at the helm, the oceangoing voyage is intended to teach the boys fortitude and discipline. But the youthful crew are about to get some unexpected instruction in survival when they get caught in the clutches of a white squall storm.
Charlie's got a 'job' to do. Having just left prison he finds one of his friends has attempted a high-risk job in Torino, Italy, right under the nose of the mafia. Charlie's friend doesn't get very far, so Charlie takes over the 'job'. Using three Mini Coopers, a couple of Jaguars, and a bus, he hopes to bring Torino to a standstill, steal a fortune in gold and escape in the chaos.
After getting threatened by Kelly's friends and family, Constable Fitzpatrick places the blame on Ned Kelly and exaggerates what happened. With the biggest ever award available, Kelly and his gang set into the wild, to remain hidden from everyone who seeks them. Even if it means having his family arrested, the members of the Kelly Gang stay hidden and plan a way to get their names cleared.
