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_The Forgiven_ is a peculiar film that seems to be trying to say something about poverty or the wealthy being blind to anything that isn’t directly under their noses, but it also squeezes in a few jabs at racism. The whole thing about throwing mice off of rooftops while wearing parachutes with swastikas on them is really bizarre. The film alludes to death and uncertainty at every turn with verbal descriptions of torture and a brief clip of Hershel’s beheading on The Walking Dead. Despite the best efforts of a massively talented cast, _The Forgiven_ trudges around in circles to the point where you don’t care what its destination is as long as it finally and truly ends. **Full review:** hubpages.com/entertainment/The-Forgiven-2022-Review-A-Desert-Drama-Where-the-Mouth-is-Faster-Than-the-Gun
Despite a rather a decent cast, this is all a bit of a non-story. It centres around a soirée being given by the rather ostentatious gay couple "Richard" (Matt Smith) and boyfriend "Dally" (Caleb Landry Jones) deep in the Moroccan desert. Travelling to that get-together are "Jo" (Jessica Chastain) and her rather drunken husband "David" (Ralph Fiennes). Along the way, in the darkness, a young boy "Driss" steps in front of their car and he is killed. Repatriating his body with his family exposes "David" to some of the traditions and culture of the local people who deal with their grief in a traditional manner - one that requires the man to journey to the boy's home, to meet his father - and to try to make some amends. Meantime, his rather unconcerned wife stays with their hosts and makes merry with the handsome "Tom" (Christopher Abbott). There is certainly some beautiful cinematography of the environment in which these two have chosen to live, and the film offers a gentle opportunity to observe how the rather libertine lifestyles of two gay men and their eclectic group of friends clashes with the long-established culture of their community. That gives some handsome people a chance to flirt and wander around scantily clad for much for the film, but the story is really quite lacking. Fiennes is fine as the disillusioned drunkard, but the rest of the cast are unremarkable (usually the case for the over-rated Smith) and the ending is, well, really quite disappointing. At all but two hours long, it is also too lengthy. What little plot and character development there is in no way justifies the film dragging on for quite this long. It's a good film to look at, but like a meringue - there isn't too much going on when you probe deeper which is a shame because at times the film presents us with personalities that are almost colonial in their attitudes, and that could have been built upon to give the narrative and characters more depth.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.
Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.
Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncle’s farm, and joins them the next day as they head for California and a new life... Hopefully.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
