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_The Forgiven_ is a peculiar film that seems to be trying to say something about poverty or the wealthy being blind to anything that isn’t directly under their noses, but it also squeezes in a few jabs at racism. The whole thing about throwing mice off of rooftops while wearing parachutes with swastikas on them is really bizarre. The film alludes to death and uncertainty at every turn with verbal descriptions of torture and a brief clip of Hershel’s beheading on The Walking Dead. Despite the best efforts of a massively talented cast, _The Forgiven_ trudges around in circles to the point where you don’t care what its destination is as long as it finally and truly ends. **Full review:** hubpages.com/entertainment/The-Forgiven-2022-Review-A-Desert-Drama-Where-the-Mouth-is-Faster-Than-the-Gun
Despite a rather a decent cast, this is all a bit of a non-story. It centres around a soirée being given by the rather ostentatious gay couple "Richard" (Matt Smith) and boyfriend "Dally" (Caleb Landry Jones) deep in the Moroccan desert. Travelling to that get-together are "Jo" (Jessica Chastain) and her rather drunken husband "David" (Ralph Fiennes). Along the way, in the darkness, a young boy "Driss" steps in front of their car and he is killed. Repatriating his body with his family exposes "David" to some of the traditions and culture of the local people who deal with their grief in a traditional manner - one that requires the man to journey to the boy's home, to meet his father - and to try to make some amends. Meantime, his rather unconcerned wife stays with their hosts and makes merry with the handsome "Tom" (Christopher Abbott). There is certainly some beautiful cinematography of the environment in which these two have chosen to live, and the film offers a gentle opportunity to observe how the rather libertine lifestyles of two gay men and their eclectic group of friends clashes with the long-established culture of their community. That gives some handsome people a chance to flirt and wander around scantily clad for much for the film, but the story is really quite lacking. Fiennes is fine as the disillusioned drunkard, but the rest of the cast are unremarkable (usually the case for the over-rated Smith) and the ending is, well, really quite disappointing. At all but two hours long, it is also too lengthy. What little plot and character development there is in no way justifies the film dragging on for quite this long. It's a good film to look at, but like a meringue - there isn't too much going on when you probe deeper which is a shame because at times the film presents us with personalities that are almost colonial in their attitudes, and that could have been built upon to give the narrative and characters more depth.
Adapted from Yoram Kaniuk's best-selling novel, this heart-rending love story unfolds during the siege of Jerusalem in 1948. A young and beautiful volunteer nurse is drawn to the enigmatic Himmo, a mortally wounded and mutilated soldier who cannot speak or move.
An alienated and misanthropic teenager gains sudden and unwanted celebrity status after he's taken hostage by terrorists where his indifference to their threats to kill him makes news headlines.
A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.
A prequel to "Stone Cold", the story picks up after Jesse Stone is fired from the Los Angeles Police Department. He becomes an unlikely candidate recruited by a town council to become police chief of Paradise, MA, a small fishing town on Boston's North Shore. The board hopes his failed experience will keep him from digging too deep into the town's secrets. His first assignment is to investigate the murder of his predecessor whose death may be tied to a local domestic disturbance case, with connections to money laundering and murder involving some of the town's most affluent names as possible suspects.
After the death of his son, travel writer Macon Leary seems to be sleep walking through life. Macon's wife is having similar problems. They separate, and Macon meets a strange, outgoing woman who brings him 'back down to earth', but his wife soon thinks their marriage is still worth another try.
Cold War tensions climb to a fever pitch when a U.S. bomber is accidentally ordered to drop a nuclear warhead on Moscow.
Amélie, a young Belgian woman, having spent her childhood in Japan, decides to return to live there and tries to integrate in the Japanese society. She is determined to be a "real Japanese" before her year contract runs out, though it precisely this determination that is incompatable with Japanese humility. Though she is hired for a choice position as a translator at an import/export firm, her inability to understand Japanese cultural norms results in increasingly humiliating demotions. Though Amelie secretly adulates her, her immediate supervisor takes sadistic pleasure in belittling her all along. She finally manages to break Amelie's will by making her the bathroom attendant, and is delighted when Amelie tells her the she will not renew her contract. Amelie realizes that she is finally a real Japanese when she enters the company president's office "with fear and trembling," which could only be possible because her determination was broken by Miss Fubuki's systematic torture.
After his mother had died, Kenan (Muzaffer Tema) left the home to take care of a goodhearted rich man, whose daughter Nalan (Nedret Güvenç) fell deeply in love with him...