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This is more along the lines of "What if Courtney Love fronted Bikini Kill...and Bikini Kill was still good despite her presence?" It's not a bad movie for 90s punk nostalgia. And it's not a bad movie to depict the punk scene at all. I think, honestly, that a lot of the negativity comes because the star is too close to a Courtney Love type to actually be someone people can tolerate to watch...and that is fair. I can't condemn that. But, from my take, I liked the concept and the execution. So I can't criticize it, even if it meant watching Love at her 90s lowest for the duration of the film and absolutely hated it now just as much as I did then. And, since that is what I believe everyone involved was going for, I have to say it was a good film. It's just a good film that is a hard watch and for obvious reasons.
Bounced from her job, Erin Grant needs money if she's to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she'll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.
BABYMETAL's World Tour 2016 kicked off with a groundbreaking performance at the Wembley SSE Arena, marking their largest UK show to date. This historic concert set records for the highest-ever merchandise sales for a one-day event at the venue, highlighting the band's soaring popularity. Su-metal, Moametal, and Yuimetal delivered a dynamic and electrifying set that included a blend of their classic hits and newer tracks, captivating the audience with their energetic choreography and powerful vocals. The performance at Wembley showcased BABYMETAL's ability to bridge cultural divides, drawing in a diverse crowd with their unique fusion of J-pop and heavy metal, and solidifying their status as a global phenomenon in the music industry.
An exploration of the United States of America's war on drugs from multiple perspectives. For the new head of the Office of National Drug Control Policy, the war becomes personal when he discovers his well-educated daughter is abusing cocaine within their comfortable suburban home. In Mexico, a flawed, but noble policeman agrees to testify against a powerful general in league with a cartel, and in San Diego, a drug kingpin's sheltered trophy wife must learn her husband's ruthless business after he is arrested, endangering her luxurious lifestyle.
Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
This gritty inner-city film follows various people living in a troubled New Jersey setting, most notably Nick Rinaldi, a disillusioned contractor who has been helped along his whole life by his wealthy father. Other characters in this ensemble drama about urban conflict and corruption include Asteroid , an unstable homeless person, and Wynn, an idealistic young politician.
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
Landmarks Live in Concert rebroadcasts Friday, June 23 at 10PM with a native New Yorker from Hell’s Kitchen, Grammy Award-winning artist, Alicia Keys. Her collaboration with Jay Z, “Empire State of Mind,” instantly became the City’s newest anthem. In this debut Landmarks Live special recorded over a one-year period, Alicia’s love affair with New York continues as she performs on City’s world famous Circle Line harbor tour and in Harlem’s Apollo Theater.
Recorded on July 18, 1993 at Peer Blues Festival in Peer, Belgium whilst touring in support of the "Feel This" album. The band normally performed as a trio however for this show they add a keyboardist and two backing vocalists giving the songs greater depth and range taking the entire performance to a new level. The Jeff Healey Band were legendary live performers , this captures them at their very best.
The one-night-only special live stage event "RAY'Z MUSIC LIVE-STRAHL" held on September 9, 2022 at SELENEB2 in Shirokane-Takanawa, featuring songs from Taito's iconic shooting game "Ray" series, was fully recorded. The performers are Taito sound team ZUNTATA, former ZUNTATA member and DJ, COSIO, the creator of the RAY'Z series soundscape, TAMAYO, and vocalist Cyua's tribal techno unit "BETTA FLASH". The genre-defying performances of these artists will usher in a new era for the RAY'Z sound.
