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Great watch, would watch again, and do recommend. There is a huge advantage in knowing as little as possible about a movie before watching it: mostly it removes expectations, and allows little surprises to delight you through the movie. I watched it because it was a Kristen Stewart movie, but was happily surprised to see Clea Duvall involved, and continually delighted to see familiar faces appear: Mary Holland, Alison Brie, and Aubrey Plaza especially. I'm honestly not familiar with "a lot" of "coming out of the closet, but not quite yet" stories, but I have seen a lot of "secrets for the holidays", and "don't tell my family x", and this is very interesting that it uses that concept to knock the wind out of the sails of the story so early. While the majority of the story is basically abuse humor, it's delivered in a way that manages to both garner sympathy for Abbie and be charmingly amusing. If the movie has a real downside, then it's that it tries to do (almost) too many things, but manages to pull it off. Yeah, I pretty much hate Harper, but that's by design, and she's a victim as much as a villain. The shift in stories as things all start to resolve is the "worst" part of it, but ultimately makes for a satisfying ending.
I was surprised by how much I liked this Hulu Christmas offering, since you can get jaded at the number of holiday romantic movies the various sources crank out every year. The movie seems to combine several sub genres here, the familiar gay coming out, dysfunctional holiday family, even bordering in romantic triangle territory. Martin Levy’s son does him proud, as Dan Levy was a real scene stealer here. I quickly decided the more of him, the better. The chemistry between the two leads wasn’t quite evident to me and I am not sure why. I saw more chemistry between Harper and Abby’s ex-girlfriend Riley, actually. Also, I think an opportunity was lost in the perpetually frowning two kids. They should have been allowed a bit more personality I think. (And what is up with all the gender neutral names for many of the female characters here? Harper, Tipper, Sloan, Riley, Harry, Kelly and Ashley. Weird. Mary Steenburgen does her usual competent job playing the wife and matriarch, though I felt they let her fade a little into the background until she asserts herself near the end. So while this movie won’t enter my cycle of Christmas movies to watch annually, I enjoyed it just fine (tinged with the shadow of regret that it wouldn’t have taken much more to be very good). The writers do not have many film credits, so I hope they continue to write and improve. I won’t change the channel if I run across it in the future.
I usually avoid Christmas movies but some of those names grabbed me - Mack Davis, Aubrey Plaza, Dan Levy, and more. All put in a great performance, the story made sense, the plot was well done, and it was a nice little town - all good.
An aging gangster, Fernand Naudin is hoping for a quiet retirement when he suddenly inherits a fortune from an old friend, a former gangster supremo known as the Mexican. If he is ambivalent about his new found wealth, Fernand is positively nonplussed to discover that he has also inherited his benefactor’s daughter, Patricia. Unfortunately, not only does Fernand have to put up with the thoroughly modern Patricia and her nauseating boyfriend, but he also had to contend with the Mexican’s trigger-happy former employees, who are determined to make a claim.
¿Bastan 7 minutos para enamorarse? Los protagonistas de esta comedia coral y romántica no lo tienen claro. Pero lo van a intentar. Por eso acuden a una sesión de "citas rápidas", encuentros entre hombres y mujeres que quieren conocer gente, huir de la soledad y encontrar el amor.En estas veladas, cada uno tiene siete minutos para hablar con cada una, y viceversa. Luego, todos se van a casa y votan por Internet a aquellas personas que les han gustado. Si el voto es coincidente, la empresa que organiza los encuentros remite a los interesados los e-mails respectivos, y a partir de ahí, puede surgir o no una historia...
She is a scientist. He is a Lebanese doctor. They meet at a banquet and fall into a carefree, passionate relationship. But difficulties abound because of his heritage and her loveless marriage. She flies to Havana to sort things out on the beach and in the cabarets. She sends him a ticket, but harbors no illusions that He will join her in this Caribbean melting pot.
To get to know his girlfriend's son, a man volunteers to pick him up from a prep school... only to learn that her son's not the nicest kid.
Twenty-three-year-old John has just moved to L.A. from New York, ostensibly "taking a break" from his longtime girlfriend. He moves in with college bro Andy, whose pals incessantly do that kind of "That is so gay" banter that's essentially harmless - unless you're the only gay guy in the room.
Twenty-eight-year-old Georgia is convinced the man of her dreams is "the one that got away" back in high school. When Georgia learns of her high school reunion a week before Christmas, she's ecstatic to finally have her chance to win Craig back. But as she gets to relive high school for a night, she begins to realize it might not be Craig at all who got away, but Ben, an old friend with whom she'd fallen out of touch.
The homoerotic poetry of Mutsuo Takahashi sets the stage for these associated images based on male desire.
Fitness instructor Julia is down on her luck, trying to make her baby boot camp a thriving business. To make ends meet, she becomes a part-time nanny for a single widowed father. Trouble is, she knows nothing about taking care of children.
When three parents discover that each of their daughters have a pact to lose their virginity at prom, they launch a covert one-night operation to stop the teens from sealing the deal.
Mog feels a little ignored during the Thomas family's Christmas preparations. When she spots the huge Christmas tree, she freaks out and climbs to the roof, where she refuses to move no matter how hard the family tries.
