Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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The Repair Shop on the Road - (Feb 20th)
The Kelly Clarkson Show - (Feb 20th)
NCIS- Sydney - (Feb 20th)
Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
He could be as innocent as a baby, but the things that are happening here are still his fault. John Gant is a hired assassin, whenever he rides into a town the whole townsfolk wonder who it is who is on his list. John Gant is a very shrewed assassin for he never gets arrested because he never draws first, he psychologically gets under his targets skins forcing them to shoot first, and John Gant always has witnesses. Today, John Gant has rode into Lordsburg, and from today things will never be the same again... In CinemaScope and Eastman Color Directed by Jack Arnold, we open with a vision of sprawling hills and a vast landscape (DOP: Harold Lipstein), a man handsomely attired in pristine black clothing trots past on his shiny black horse, he gathers pace and gallops off over the hills, we next see him trotting into Lordsburg, elegance and grace oozing from his pores. This is John Gant, also known as Audie Murphy, and for me we are introduced to one of the greatest Western characters outside of the critics favoured lists of usual suspects. Audie Murphy had his critics, he himself hardly went out of his way to embrace stardom and pander to the ink scribblers, but here as Gant is a performance of icy cold wonderment that in my opinion proves any doubters wrong. Gant rides into Lordsburg and his mere presence sends the town into panic, friends and associates implode with suspicion whilst Gant just calmly floats amongst them with little leers and low speaking pearls of wisdom. As Gant forms a weird sort of friendship with Charles Drake's Dr. Luke Canfield, the picture gains some much needed heart, and once the finale arrives it helps to close the picture on a hugely rewarding note. The film reminded me very much of a Twilight Zone episode called The Monsters Are Due On Maple Street, it's a great story to work from {courtesy of Howard Amacker}, because it's morally suspicious and it has characters always on the brink of breaking the law through the sheer worry of their sins and dubious intentions coming back to get them. My only real complaints are that the film is far to short, not sure if it was down to budget or acting restrictions? But clocking in at just 77 minutes I personally feel that another 15 minutes was a must to fully flesh out the finale, and sadly the exterior filming of the gorgeous locale is sparse, which is most galling after the attention grabbing opening shots. However, the film still works a treat and comes highly recommended to even those who don't like Westerns. 8/10
Mary is a hit woman working for an organized crime family in Boston, whose life is completely turned around when she meets a young boy whose path she crosses when a professional hit goes bad.
When two hitmen enter each other's crosshairs, no one is safe. An action packed thriller where everyone's lives are at risk.
Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.
Assassin Robert Rath arrives at a funeral to kill a prominent mobster, only to witness a rival hired gun complete the job for him - with grisly results. Horrified by the murder of innocent bystanders, Rath decides to take one last job and then return to civilian life. But finding his way out of the world of contract killing grows ever more dangerous as Rath falls for his female target and becomes a marked man himself.
In a not too distant future, a totalitarian state run by ‘The Director” controls all aspects of life. All enemies of the state are dealt in the harshest way. Most of them are executed by the secret government’s assassins. The best operative is code-named “Condor” – an elite agent and hit man for the government. However, in his latest assignment, “Condor” fails to kill an opposition leader, and finds himself on the run from the very same government agency that he works for. This sets in motion a chain of events with unforseen consequences for all involved.
Attempting to recover from a recent family trauma by escaping into the woods for a peaceful hiking trip, an ex-lawman and his young son stumble across a dangerous contract killer.
Jack Carter is a small-time hood working in London. When word reaches him of his brother's death, he travels to Newcastle to attend the funeral. Refusing to accept the police report of suicide, Carter seeks out his brother’s friends and acquaintances to learn who murdered his sibling and why.
Cab driver Max picks up a man who offers him $600 to drive him around. But the promise of easy money sours when Max realizes his fare is an assassin.
Chev Chelios, a hit man wanting to go straight, lets his latest target slip away. Then he awakes the next morning to a phone call that informs him he has been poisoned and has only an hour to live unless he keeps adrenaline coursing through his body while he searches for an antidote.
A professional hitman wants to retire. The "Boss" does not allow that and instead of the payoff he orders his kill. But the kill fails and the hitman is out to get revenge.
Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?