Unheimlich III: Les Mères

A spellbinding journey into the mind of an insomniac, who spends each night haunted by strange and wonderful illusions from another world.

"My name, melancholia".

Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.

"After chasing sunsets, one of life's simple joys is playing with the boys." - Kenneth Clark Loggins

Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

A series of tableaux depicting the follies of a group of naïve Marxist would-be radicals who think that they want to be revolutionaries, but in the final analysis, what they really want is to be seen wearing berets.

The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a completely polluted environment.

A mysterious web of international shortwave radio towers once dominated the Tantramar marshlands near Sackville, New Brunswick. For almost 70 years the RCI shortwave towers broadcast around the world. Due to budget cuts, the site was decommissioned in 2012 and dismantled in 2014. Examining themes of identity and memory, the film captures images of the towers over four seasons in various weather conditions, accompanied by the voices of residents and technicians narrating accounts of hearing radio broadcasts emanate from their household appliances.

Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.

Experimental film about rhythm as corporal expression of a culture. Presents various choreographies and does not include the participation of men.

“Serial Metaphysics — a thirteen-minute experimental 16mm film which has been described as 'an examination of the American commercial lifestyle, recut entirely from existing television advertisements' — was edited by Dixon himself, on a single night, New Year’s Eve 1972, culled down from 72 hours of American TV commercials. The film is a fever dream as seen through our existing television advertisements, foreshadowing for hopeful future generations a promised future life of happiness and security in the land of plenty.