Nutcrackers 2024 - Movies (Nov 29th)
Aftermath 2024 - Movies (Nov 29th)
Christmas Under the Lights 2024 - Movies (Nov 28th)
Kneecap 2024 - Movies (Nov 28th)
River of Ghosts 2024 - Movies (Nov 28th)
Stargazer 2023 - Movies (Nov 28th)
Birdeater 2023 - Movies (Nov 28th)
Greedy People 2024 - Movies (Nov 28th)
Sincerely Truly Christmas 2023 - Movies (Nov 28th)
A Bluegrass Christmas 2024 - Movies (Nov 28th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Sweethearts 2024 - Movies (Nov 28th)
A Little Womens Christmas 2024 - Movies (Nov 28th)
Suspicion 2024 - Movies (Nov 28th)
Operation Undead 2024 - Movies (Nov 28th)
The Lady of the Lake 2024 - Movies (Nov 27th)
Outlander - (Nov 29th)
The Agency - (Nov 29th)
Im a Celebrity... Unpacked - (Nov 29th)
Landward - (Nov 29th)
This Cultural Life - (Nov 29th)
Christmas Cookie Challenge - (Nov 29th)
The Sex Lives of College Girls - (Nov 29th)
Ant Anstead- Born Mechanic - (Nov 29th)
Harry Potter- Wizards of Baking - (Nov 29th)
Gutfeld - (Nov 28th)
Hannity - (Nov 28th)
Jesse Watters Primetime - (Nov 28th)
Special Report with Bret Baier - (Nov 28th)
The Five - (Nov 28th)
The Ingraham Angle - (Nov 28th)
Inside the Tower of London - (Nov 28th)
The One Show - (Nov 28th)
Andrea Mitchell Reports - (Nov 28th)
Chris Jansing Reports - (Nov 28th)
Katy Tur Reports - (Nov 28th)
At Play in the Fields of the Lord is shot through with rich, complex irony (two characters, for instance, discuss having Indian blood, but while one is talking about having it in one’s veins, the other is talking about having it on one’s hands). Its main characters, except one whose hypocrisy borders on cognitive dissonance, are torn between perception and reality – struggling in vain to have their thoughts and deeds, their words and actions, meet halfway. Four of them form two couples that are in and of themselves counterintuitive; after all, Aidan Quinn and Daryl Hannah would make more sense than John Lithgow and Hannah, or Quinn and Kathy Bates. The only pairing that seems to belong together is that of Tom Berenger and Tom Waits. Perhaps the most conflicted of them all is Berenger’s Lewis Moon – a “half-breed Cheyenne” mercenary hired to drop bombs on a native tribe’s village deep in the Brazilian Amazon River basin; he thinks better of it, though, after evangelical missionary Martin Quarrier (Quinn) calls his attention to the similarities between the Plains Indians and the Niarunas (“the Sioux word for ‘Great Spirit’ is ‘Wakantanka,’” and the Niaruna word is ‘Wakankon’ – now, the Niarunas are fictional, but I think the point is valid nonetheless. Having said this, Quinn’s idealistic preacher will later be sorely disappointed when he finds out about the similitude between his own Jesus and the Niarunas’ ‘Kisu’). Moon then goes to live with the Niarunas, but whereas he may have dispensed with the white man, the white woman, specifically Hannah, retains her allure, and a brief exchange of fluids later, Moon introduces the flu into the village; thus, in a perverse twist, he manages to unwittingly find a more subtle and effective means of destroying the Niarunas. The film, co-written and directed by Héctor Babenco, is filled with this sort of poetic paradoxes through which the characters learn the hard way that the road to hell is indeed paved with good intentions. PS. Lithgow is excellent as a holier-than-thou prick who views his ministry as a competition with the local catholic priest, and Bates is perfect as a prude who despises the natives almost as much as she loathes herself (few can descend into madness as well as she does), but Quinn (also pretty good elsewhere) is the star of my new all-time favorite movie moment (at least until further notice). It’s a scene with Martin and his child Billy (Niilo Kivirinta, nine years old at the time, in his only credit). Billy’s line is “Why were they doing that?”. I only picked this up the second time I watched the movie, but you can actually hear Quinn saying “Why…”, after which the kid immediately catches on and follows through. Now, not only does Quinn give Kivirinta his cue, but does it almost as if on cue himself (he doesn’t look at the child; instead, he looks over his shoulder, as if gazing outside the shot, in the process accidentally, or as I see it, serendipitously, turning toward the camera, so that we can also see his mouth moving); there is no pause, no benefit of the doubt. Who knows how many takes they did before they finally settled on this fourth wall-breaking solution. The result is a little meta-textual moment wherein the relationship between the characters is solidified through the actors’ interaction – it’s not just the caring father and his beloved son; it goes beyond that, revealing the adult performer looking out for the inexperienced one. I always suspected Quinn to be a hell of a nice guy in real life, and this incident confirms my suspicions; he and Babenco – who already had Pixote and Kiss of the Spider Woman under his belt – risked looking sloppy in order to get through the scene, which they deemed important enough to warrant this slip, and strong enough to survive it.
In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size. But even death can't stop these true lovebirds from triumphing.
Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns. Information from the reporter stirs a new set of memories, and Bourne must finally uncover his dark past while dodging The Company's best efforts to eradicate him.
Seven British children bury their mother and hide her death, until their long-lost father returns.
Bored with the limited and tedious nature of provincial life in 19th-century France, the fierce and sensual Emma Bovary finds herself in calamitous debt and pursues scandalous sexual liaisons with absolute abandon. However, when her volatile lifestyle catches up to her, the lives of everyone around her are endangered.
Reporter John Klein is plunged into a world of impossible terror and unthinkable chaos when fate draws him to a sleepy West Virginia town whose residents are being visited by a great winged shape that sows hideous nightmares and fevered visions.
Moby Dick is an unfinished film by Orson Welles, filmed in 1971. It is not to be confused with the incomplete (and now lost) 1955 film Welles made of his meta-play Moby Dick—Rehearsed, or with Moby Dick (1956 film), in which Welles played a supporting role. The film consists of readings by Welles from the book Moby Dick, shot against a blue background with various optical illusions to give the impression of being at sea. It was made during a break in the filming of The Other Side of the Wind. There is some ambiguity about what Welles intended to do with the footage, and how he was going to compile it. It remained unedited in his lifetime.
Jinsa Maeng's daughter is contracted to marry a nobleman's son, however, Jinsa Maeng is upset when he hears about a rumor that the fiance of his daughter is lame. Finally, he decides to take on the idea of arranging his maid to take his daughter's place in the wedding.
Forensic psychologist and detective Alex Cross travels to North Carolina and teams with escaped kidnap victim Kate McTiernan to hunt down "Casanova," a serial killer who abducts strong-willed women and forces them to submit to his demands. The trail leads to Los Angeles, where the duo discovers that the psychopath may not be working alone.
The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three inches longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before 'they' kill her. Other mysterious clues show up, further indicating that Claudia's daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela's whereabouts